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University  Prints 

Series  C 

Later  Italian  Art 

500  Plates  to  Accompany 


Outlines  for  the  Study  of  Art 

Volume  II 


Bureau  of  University  Travel 

Boston,  Mass. 

191 1 


COPYRIGHT,   ]«»![ 

BUREAU  OF  UNIVERSITY  TRAVEL 

- 


BOSTON: 

8>|iarrfU  Jrint 
1911 


N 

'  6  -b  o  / 


Gable  of  Contents. 


INTRODUCTION  —  LATER  ITALIAN  ART v 

PLATES 1-500 

CATALOGUE xiii 

INDEX  OF  PLACES xxxiv 

TOPICAL  INDEX  .    xxxvii 


%ater  Italian  art 


The  general  character  and  purpose  of  this  series  has 
been  stated  in  connection  with  the  preceding  volume  on 
the  "Early  Italian  Art."  All  that  is  there  stated,  by  way 
of  explanation  and  suggestion,  holds  in  a  general  way  of 
this  later  series.  The  same  care  has  been  exercised  in 
the  choice,  the  same  method  is  recommended  in  the  use 
of  these  prints.  The  importance  of  verifying  the  works 
which  are  to  stand  as  representatives  of  given  artists  or 
periods  is  not  lessened,  nor  does  the  necessity  of  studying 
art  itself  rather  than  other  people's  impressions  of  it 
diminish,  as  we  pass  to  another  period  or  a  fuller  develop- 
ment. But  while  these  fundamentals  are  unchanged,  the 
problem  of  both  editor  and  student  has  to  take  account 
of  new  factors  and  undergo  important  modifications. 

In  a  sense,  the  work  of  the  editor  would  seem  to  have 
been  made  easier,  as  we  pass  from  the  dim  twilight  of 
art's  early  morning  to  the  full  noon  of  the  high  Renais- 
sance. Our  records  are  far  more  complete  as  regards 
both  persons  and  works,  than  for  the  earlier  period. 
Vasari,  our  chief  chronicler,  was  the  contemporary  of 
most  of  the  artists  with  whom  we  have  here  to  do.  With 
all  his  limitations,  he  is  certainly  infinitely  more  reliable 
in  the  field  of  current  events  than  in  that  of  dim  tradition. 
A  later  artist,  too,  like  Michelangelo,  had  biographers 
who  record  the  events  of  his  life  and  the  history  of  his 
works  with  worshipful  fidelity.  All  this  is  an  advantage, 
and  the  editor,  as  he  passes  from  a  period  of  obscurity, 
where  inference  is  at  times  uncertain,  almost  to  the  point 
of  guess-work,  is  apt  to  feel  that  his  difficulties  are  at 
an  end. 


vi  LATER  ITALIAN  ART 

Unfortunately,  the  high  Renaissance  has  difficulties  of 
its  own.  It  is  comparatively  free  from  myth  and  obscure 
tradition,  but  it  is  beset  with  skilful  fraud.  We  are  not 
left  to  guess,  as  in  the  case  of  the  Spanish  Chapel,  who 
painted  the  walls  of  the  Stanze  or  the  Farnesina.  We 
are  deliberately  and  explicitly  misinformed.  This  mis- 
information is  due  to  several  practices  which  were  highly 
characteristic  of  the  high  Renaissance  and  comparatively 
unknown  in  the  more  nai've  age  that  preceded  it. 

The  first  of  these  was  collaboration.  This  was  pri- 
marily a  labor-saving,  that  is,  a  money-making  device. 
Its  immediate  purpose  was  to  spread  the  genius  of  a 
talented  artist  over  a  larger  number  of  works  by  employing 
men  of  humbler  capacity  to  perform  the  parts  of  the 
work  deemed  less  important. 

In  the  distinctive  field  of  Florentine  art,  fresco,  this 
collaboration  admitted  of  especially  dangerous  possibilities. 
Fresco  is  essentially  a  threefold  process.  The  artist 
first  makes  a  diagram  of  his  space  in  miniature  and  sketches 
in  his  proposed  picture.  This  sketch,  however  slight,  is 
perhaps  the  most  important  part  of  the  work,  as  it  deter- 
mines, in  a  sense,  all  that  follows.  The  sketch  completed 
to  his  satisfaction,  he  next  prepares  a  cartoon.  This  is 
merely  a  full-size  sketch,  worked  out  with  such  degree 
of  detail  as  he  feels  to  be  necessary.  The  lines  now  become 
exact,  permitting  no  serious  modification  afterward.  Now 
comes  the  picture  itself.  The  wall  is  prepared  and  a 
portion  is  covered  with  fresh  plaster.  The  cartoon,  pre- 
viously pricked  along  the  outlines  as  for  an  embroidery 
pattern,  is  fastened  up  in  its  place  and  the  outline  "pounced" 
on  to  the  fresh  plaster  with  a  bluing  bag,  or  the  like. 
Thus  guided,  the  artist  rapidly  fills  in  the  outlines,  re- 
serving only  a  few  finishing  touches  for  the  work  when  dry. 


LATER  ITALIAN  ART  vii 

The  significance  of  all  this  lies  in  the  fatal  facility  with 
which  these  several  processes  could  be  separated.  The 
descent  to  Avernus  begins  with  the  employment  of  helpers 
in  painting  upon  the  fresh  plaster  where  haste  is  necessary, 
the  artist  having  himself  prepared  sketches  and  cartoons 
and  reserv.ing  to  himself  the  finishing  touches.  However 
unimportant  the  parts  thus  turned  over  to  helpers,  some- 
thing of  loss  was  inevitable,  as  Michelangelo  found,  when 
he  tried  it  on  the  Sistine  Ceiling  and  did  the  work  over 
as  unsatisfactory.  Others  were  less  exacting,  however, 
and  the  use  of  helpers  grew  apace.  Soon,  all  the  trans- 
ferring was  left  to  them,  the  artist  adding  only  the  finishing 
touches  in  the  dry.  Later,  even  these  were  delegated. 

Finally,  we  find  collaboration  in  the  preparation  of 
the  cartoon,  and  a  second  great  step  downward  is  taken 
in  the  debauchery  of  art.  In  its  final  stages,  we  find 
the  artist  contributing  nothing  to  the  work  which  bears 
his  name  except  the  preliminary  sketch  which  is  freely 
modified  by  the  collaborator,  now  a  more  dignified  func- 
tionary, in  the  making  of  the  cartoon  and  still  more  in 
the  transfer  and  finishing.  It  is  hardly  necessary  to 
remind  the  reader  how  slight  was  the  control  of  the  artist 
over  his  work  under  these  conditions.  Color,  expression, 
all  subtler  quality  of  every  kind,  cease  to  be  his.  Even 
composition  is  subject  to  serious  qualifications.  This 
fatal  descent  is  best  illustrated  in  the  later  works  which 
go  under  the  name  of  Raphael  in  the  Vatican  and  the 
Farnesina,  where  his  part  in  the  work  begins  at  one 
hundred  per  cent  and  descends  to  zero.  In  such  cases 
even  the  records  are  often  misleading.  Contracts,  pay- 
ments, and  receipts  were  all  in  the  name  of  the  artist. 
Collaboration  was  taken  for  granted. 

(i  reatly  as  the  significance  of  authorship  changes  under 


viii  LATER  ITALIAN  ART 

these  circumstances,  it  has  not  seemed  practicable  to 
indicate  its  character  in  the  captions  of  the  prints.  Pic- 
tures which  belong  to  Raphael  only  in  this  limited  sense, 
can  after  all  be  attributed  to  no  one  else,  and  they  here 
retain  their  traditional  attributions,  leaving  to  the  de- 
scriptions in  the  Handbook  the  more  exact  definition  of 
the  master's  part  in  the  work. 

A  second  source  of  uncertainty  in  regard  to  the  real 
authorship  of  this  period  shows  itself  especially  in  the 
cases  of  such  artists  as  Leonardo  and  Giorgione.  Both 
were  men  whose  ability  has  never  been  questioned,  at 
all  times  a  work  from  their  hands  would  have  been  highly 
prized.  Both  were  also  men  who  influenced  powerfully 
every  fellow-worker  with  whom  they  came  in  touch.  The 
work  of  no  artist  was  the  same  after  he  had  seen  the  vision 
revealed  by  these  magicians  of  the  brush.  Even  during 
their  lifetime  their  works  were  frequently  copied.  And 
in  turn  the  works  of  both  have  met  with  many  vicissitudes, 
works  but  casually  referred  to  in  contemporary  writings 
have  disappeared  or  are  but  imperfectly  described.  It  is 
not  surprising,  therefore,  when  the  fortunes  of  Italy  were 
at  low  ebb  and  her  pictures  were  being  purchased  for 
foreign  galleries,  that  all  those  pictures  which  bore  the 
impress  of  a  great  master's  influence  should  have  been 
sold  and  gladly  purchased  as  genuine,  especially  in  an 
uncritical  period.  It  must,  however,  be  recognized  that 
these  works  genuinely  illustrate  the  manner  and  the  spirit 
of  a  period  and  are  genuinely  instructive  as  showing  the 
influence  of  a  master  mind,  especially  as  in  the  case  of 
artists  like  Leonardo  and  Giorgione,  whose  authenticated 
works  are  so  few  and  yet  of  such  rare  beauty. 

To  these  cases  of  real  uncertainty  as  to  pictures  which 
we  may  still  in  a  sense  call  genuine,  must  undoubtedly 


LATER  ITALIAN  ART  ix 

l>e  added  many  examples  of  deliberate  counterfeit.  The 
wonderful  development  of  art  in  the  sixteenth  century 
was  the  culmination  of  a  long  and  wide-spread  movement 
which  produced  not  only  great  artists  but  a  widely  dis- 
seminated interest  in  art  and  a  mastery  of  technical 
processes.  The  public  was  quick  to  recognize  artistic 
achievement,  and  individuals  of  wealth  were  eager  to 
possess  the  works  of  famous  painters.  Even  able  and 
independent  artists  did  not  feel  it  amiss  to  aid  their  patrons 
and  add  to  their  own  resources  on  occasion,  and  we  find 
Andrea  copying  Raphael's  portrait  of  Pope  Leo  so  per- 
fectly that  only  by  a  private  mark  could  his  Aledicean 
patron  tell  which  he  was  to  send  as  a  gift  to  the  Duke  of 
Mantua.  Three  examples  of  the  portrait  of  Julius  II 
exist,  one  of  them  undoubtedly  a  copy  by  Giulio  Romano, 
and  critics  are.  still  at  variance  as  to  which  came  from 
Raphael's  brush.  Still  more  flagrant  examples  have  filled 
some  of  the  lesser  galleries  with  spurious  examples  that 
totally  belie  the  art  they  pretend  to  imitate.  Even  into 
the  most  famous  galleries  these  misleading  works  have 
found  their  way,  whose  traditional  attributions  it  has 
been  very  difficult  to  change. 

This  tissue  of  error  and  fraud   it  is  the  functior 
highly  specialized  branch  of  modern  scholarship   to  in- 
vestigate.    No  process   could   well   be  more   difficult   or 
more  technical.     The  general  appearance  of  the  pit 
is  no  guide.     Even  the  sentiment  or  content,  we  ar 
(perhaps  a  little  too  emphatically  at  times),  is  not  a 
indication,  being  often  the  very  point  of  the 
art.     Minute  physical  peculiarities,  which  i\a-  difficult  to 
imitate,   and  are  matters  of  unconscious  habit,   are  the 
real  tell-tale  facts.     These  the  highly  specialized  investi- 
gator makes  the  subject  of  minute,  often  of  microscopic 


x  LATER  ITALIAN  ART 

study.  His  work  resembles  that  of  the  handwriting 
expert.  It  has  as  little  to  do  with  the  study  of  art,  as  the 
latter  has  to  do  with  the  study  of  literature,  though  in  the 
one  case  as  in  the  other,  it  is  its  indispensable  preliminary. 

So  far  as  possible,  the  editors  of  this  series  have  taken 
account  of  the  results  of  this  study.  Pictures  which  for 
ages  have  borne  the  name  of  Raphael  or  Titian,  but 
which  there  is  convincing  proof  that  they  did  not  paint, 
have  been  rejected  or  published  over  more  probable 
names.  So  far  as  these  decisions  require  or  permit  ex- 
planation, that  explanation  is  given  in  the  accompanying 
Handbook.  In  every  case  the  decision  rests  upon  recog- 
nized authority,  never  upon  the  editor's  own  impression. 
The  editors  are  not  attributioni.sts. 

But  while  the  editors  conceive  it  to  be  important  to 
correct  the  traditional  attribut.un  of  the  works  included 
in  the  series,  they  cannot  too  strongly  urge  that  the  stu- 
dent of  art  as  such  should  give  little  attention  to  this 
most  technical  and  most  sterile  department  of  the  subject. 
There  is  no  surer  way  to  make  the  .study  of  art  abortive 
than  by  directing  attention  to  inquiries  where  results  are 
beyond  the  amateur's  reach  and  in  a  direction  away 
from  his  goal.  Take  the  expert's  word  for  the  attribution, 
and  then  study  art. 

The  problem  of  the  student,  like  that  of  the  editor, 
seems  easier  and  is  harder  in  the  later  than  in  the  earlier 
period.  The  art  of  the  Italian  High  Renaissance  has 
so  completely  dominated  the  imagination  of  later  times, 
that  it  is  our  norm  of  judgment.  As  compared  with  the 
struggling  half  successes  of  an  earlier  age,  the  marvelous 
creation  of  Correggio.  or  Raphael  or  Titian  seem  won- 
derfully perfect  and  complete.  To  the  beginner,  they 
usually  seem  far  more  enjoyable.  It  is  perhaps  this  very 


LATER  ITALIAN  ART  xi 

fact  that  makes  their  study  so  difficult.  The  teacher 
who  sits  down  before  a  class  for  the  study  of  Raphael's 
Madonnas  can  fill  the  hour  with  history,  biography,  and 
the  like,  but  he  will  find  it  singularly  difficult  to  make  a 
beginning  at  his  real  subject,  the  analysis  and  interpre- 
tation of  art.  The  exercise  is  apt  to  degenerate  into  mere 
exclamations  of  real  or  atfected  delight,  but  unprofitable 
from  the  standpoint  of  insight  and  developed  appreciation. 
As  between  Raphael  and  one  of  the  primitive  painters 
like  Giotto,  there  is  no  comparison  as  regards  the  delight 
which  a  company  of  novices  will  get  out  of  his  works. 
But  from  the  standpoint  of  art  analysis  and  the  formula- 
tion of  art  principles,  the  case  is  reversed,  and  the  odds 
are  quite  as  great  in  favor  of  the  earlier  artist. 

It  is,  therefore,  the  earnest  conviction  of  the  editors, 
based  on  much  experience  in  the  class-room,  that  despite 
the  oft-felt  necessity  of  humoring  a  feebly  interested 
(lass,  the  study  of  art  should  begin  with  the  early  and  not 
with  the  high  Renaissance.  The  pictures,  at  first  glance, 
will  be  less  enjoyable,  but  the  lessons  will  be  far  more 
so.  ( >nly  when  the  struggles  of  the  earlier  artists  are 
realized,  will  the  perfection  of  the  later  artists  be  appre- 
ciated. The  study  of  the  earlier  period  can  alone  furnish 
the  key  for  the  analysis  of  the  baffling  perfection  of  the 
high  Renaissance. 

The  reader  is  reminded  that  the  prints  in  this,  as  in 
the  other  series,  are  for  sale  singly,  in  any  number  or 
combination.  Also,  that  the  companion  volume  of  "Out- 
lines" contains  condensed  information  and  elaborate  sug- 
gestions for  study,  regarding  the  works  here  published. 


C  1 


ANGELS.     (Detail  of  Verocchio's  Baptism  of  Christ) 
Academy,  Florence 


THE    UNIVERSITY    PRINTS 
-ON 


LEONARDO    DA    VINCI.     1452—16 


C2 


MADONNA    AND    CHILD.      (Detail  of  Adoration  i.f  the  Magi 
Uffizi  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


LEONARDO  DA  VINCI.     1462    -!6I9 


HEAD  OF  CHRIST  (Detail  froi  i  Last  Supper) 

Refectory,  S.  </.  delie  0,'  '.ie,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


LEONARDO  DA  VINCI.     1462  —  1519 


I  m.  *7 


HEAD    OF    CHRIST.     (Drawing) 
Brera,   Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


LEONARDO  DA  VINCI?     1452  —  1519 


C  10 


MONA    LISA 
Louure,  Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


LEONARDO    DA   VINCI.     1452—1519 


C  11 


MADONNA    WITH    ST.    ANNE.     (Cartoon) 
Burlington  House,   London 


THE  UNIVERSITY  PRINTS 
BOSTON 


LEONARDO    DA    VINCI.     1462—1510 


C  12 


THE  VIRGIN  OF  THE  ROCKS 
Louvre,  Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


LEONARDO  DA  VINCI.     1452  —  1619 


CIS 


LEONARDO    DA  VINCI   (Drawing) 


THE  UNIVERF 

BOTTOM 


Rogal  Library,  Turin 


LEONARDO  DA  VINCI.     1452  —  1619 


C  14 


C  15 


JOHN    THE    BAPTIST 
Louvre.  Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


LEONARDO    DA    VINCI?     1452—1519 


C16 


MADONNA.    CHILD,    AND    ST.    ANNE 

Louvre,   Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


LEONARDO  DA  VINCI.     1452  —  1619 


C  17 


LA    BELLE    FERRONIERE 
Luuure,  Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


LEONARDO    DA    VINCI?     1462—1519 


C  18 


*  BACCHUS 

Louvre,   Paris 


THE    UNIVERSITY    PRINTS 


LEONARDO    DA    VINCI  ?     1462—1519 


C  19 


I 


PORTRAIT    OF    ISABELLA    D'ESTE. 
Louvre,   Paris 


\SEL~S 


HE    UNIVERSITY    PRINTS 
BOSTON 


LEONARDO  DA  VINCI.     1452  —  1519 


C  20 


FEMALE    HEAD.     (Drawing 
Ambrosiana,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


LEONARDO    DA    VINCI.     1462—1619 


21 


C  22 


FEMALE    PORTRAIT    C  Beatrice  d'  Este  ?) 
Ambrosiana,   Milan 


THE   UNIVERSITY    PRINTS 


AMBROQIO    DE    PREDIS?     14607—1515? 


C23 


PORTRAIT   OF    A  YOUNG    MAN 
>(m6ro5/a/ia,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


AMBROGIO    DE    PREDI8.     14607—1515? 
LOMBARD    SCHOOL 


C  24 


ANGEL  PLAYING  THE  LUTE 
National  Gallery.  London 


THE  UNIVERSITY  PRINTS 
BOSTON 


AMBROGIO    DE    F3EDIS.    1460?— 1515? 
BOMBARD   SCHOOL 


PORTRAIT    OF    FRANCESCO    BREVIO 
Poldi-Pezzoli,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


AMBROQIO    DE    PREDIS.     14607—1515? 
LOMBARD   SCHOOL 


C26 


THE  UNIVERSITY  PRINTS 
BOSTON 


ST.  CATHERINE 
Poldl-Pezzoli,  Milan 


ANDREA  SOLARIO.     I46O?— 1620? 
LOMBARD  SCHOOL 


THE    REPOSE    IN    EGYPT 
Poldi-Pezzoil,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA   SOLARIO.     I46O7— 1620? 
LOMBARD    SCHOOL 


C  28 


ECCE    HOMO 

Poldi-Pezzoli,  Milan 


THE    UNIVERSITY    PRINTS 
8OSTQN 


ANDREA    SOLARIO.     1460?— i520? 
LOMBARD    SCHOOU 


MADONNA    AND    CHILD 
Poldl-Pezzoll,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


BELTRAFFIO.     1467—1616 
LOMBARD    SCHOOL 


C  30 


ISABELLA   OF    ARAGON 
Ambrosiana,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


BELTRAFFIO.     1467-1516 
LOMBARD    SCHOOL 


31 


ii 

.  o 

O  <» 


u  O 

-  _i 


C32 


ASSUMPTION    OF  THE  VIRGIN 
Brera,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


MARCO    D'OGGIONO. 
LOMBARD   SCHOOL 


I47O  7—1530? 


C  33 


MADONNA    AND    CHILD 
Poldi-Pezzoli,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


BERNARDINO    DE'    OONTI.    fl.     I49O— 1522 
LOMBARD   SCHOOL' 


MADONNA    WITH    SAINTS    AND    DONORS 

Brera,  Milan 


THE   UNIVERSITY   PRINTS 
BOSTON 


BERNARDINO    DE'    CONTI.    fl.     1490—1622 
LOMBARD   SCHOOL 


C  35 


MAGDALEN 
Brera,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIAMPIETRINO.     fl.     1620—1540 
LOMBARD    SCHOOL 


C  36 


CO   -J 

m  O 
10  o 

IS 

10  CO 


«= 

ol 


C  37 


C  38 


ANGEL    PRESENTING    VIALS 
Pilgrimage  Church,  Saronno 


THE    UNIVERSITY    PRINTS 
BOSTON 


LUINI.     14757—1533? 
LOMBARD    SCHOOL 


r  39 


C40 


CHURCH    OF    S.    MAURIZIO:    INTERIOR 

Milan 


THE    UNIVERSITY   PRINTS 
BOSTON 


LUINI.     14757—1533? 


C41 


MARTYRDOM  OF  ST.  CATHERINE 

S.  Maurizio,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


LUINI.     14757—1633? 
LOMBARD    SCHOOL 


C  42 


ST.    APPOLLONIA 

S.   Mwtrizio,   Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


LUINI.     14757—1533? 
LOMBARD    SCHOOL 


C  43 


C44 


MADONNA  OF  THE  ROSE -TRELLIS 
Brera,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


LUINI.     14757—1533? 
LOMBARD    SCHOOL 


C  45 


MADONNA    WITH    SS.    ANTHONY    AND    BARBARA 
Brera,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


LUINI.     14767— Ifi33? 
LOMBARD    SCHOOL 


C46 


8T.  ANTHONY    (Detail) 

Brtra,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


LUINI.     14767—1633? 
LOMBARD    SCHOOL 


C47 


B 

ii 

3  O 


00    ™ 


cr  co 
uj  O 

>  OQ 


C  48 


C49 


THE    LAST    SUPPER 
S.  M.  delta  Passione,  Milan 


NIVERSITY    PRINTS 
BOSTON 


FERRARI.     14807—1646 
LOMBARD    SCHOOL 


C  60 


THE   ANNUNCIATION 

Kaiser  Friedrich  Museum,  Berlin 


THE    UNIVERSITY    PRINTS 
BOSTON 


FERRARI.     14807—1546 
LOMBARD    SCHOOL 


c:  si 


m 


CUPOLA    OF    PILGRIMAGE    CHURCH.     (D»Uil) 
Saronno 


THE    UNIVERSITY    PRINTS 
BOSTON 


FERRARI.     14807—1546 
LOMBARD   SCHOOL 


C  62 


MADONNA    AND    CHILD 

Brera,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


CESARE    DA    SESTO.     1480?— 1623? 
LOMBARD    SCHOOL 


C63 


EPISODE    IN    THE    LIFE    OF  ST.  BENEDICT 
Monte  Ollueto,  Siena 


THE  UNIVERSITY  PRINTS 
BOSTON 


IL  8ODOMA.     1477  —  1649 
LATER  SIENESE    SCHOOL 


C  64 


C55 


MADONNA  AND  CHILD 
Brera,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


IL  SODOMA.     1477  —  1649 
LATER  SIENESE  SCHOOL 


C66 


C3  1 

Ct    Z 


C57 


CHRIST  BOUND  TO  THE  COLUMN 
Academy,  Siena 


THE  UNIVERSITY  PRINTS 
BOSTON 


SODOMA.     1477  —  1549 
LATER  SIENESE  SCHOOL 


C58 


ST.  SEBASTIAN 
Uffizi,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


IL  SODOMA.      1477  —  1549 
LATER  SIENESE  SCHOOL 


C  59 


ST.    CATHERINE    RECEIVING    STIGMATA 
S.  Domtnico,  Siena 


THE    UNIVERSITY    PRINTS 
BOSTON 


IU    SODOMA.     1477—1649 
LATER    SIENESE    SCHOOL 


ceo 


THE  UNIVERSITY  PRINTS 
BOSTON 


CHRIST  IN  LIMBO 
Academy,  Siena 


SODOMA.     1477—1549 
LATER  SIENESE  SCHOOL 


C  61 


SIBYL    PREDICTING    TO    AUGUSTUS    THE    COMING    OF    CHRIST 
Church  of  Fontegiusta,   Siena 


THE    UNIVERSITY    PRINTS 
BOSTON 


B.    PERUZZI.     1481-1636 
LATER   SIENESE    SCHOOL 


C  62 


PA.MBVS  SOLVM  QMNQVf 

rr  PISCIB\S  ovoeys  no- 

MNYM  MH1I\  .IK  FOEMO 


THE    PERSIAN    SIBYL 

Pavement,   Cathedral,  Siena 


THE    UNIVERSITY    PRINTS 
BOSTON 


URBANO    DA    CORTONA.     d.     1504 
LATE    SIENESE    SCHOOL 


C  63 


33 
20 

co  O 
co  oo 


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UJ    § 

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C  64 


ST.    CATHERINE    RECEIVING    THE    STIGMATA 

Academy,  Siena 


THE    UNIVERSITY    PRINTS 
BOSTON 


BECCAFUMI.     1486—1551 
LATE    SIENESE    SCHOOL 


C65 


C  66 


ST.    CATHERINE.     (Detail  of  Triptych) 
Poldi-Pezzoli,  Milan 


THE    UNIVERSITY    PRINTS 


AUBERTINELLI.     1474—1516 


C67 


HOLY  FAMILY 

Pltti,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ALEERTINELLI.     1474—1515 
FLORENTINE    SCHOOL 


C  68 


THE  VISITATION 

Uffizi,  Florence 


THE   UNIVERSITY    PRINTS 
BOSTON 


ALBERTINELLI.     1474  —  1516 
FLORENTINE  SCHOOL 


C  69 


C70 


HOLY  FAMILY 
Corsini,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


FRA  BARTOLOMMEO.    1475  —  1517 
FLORENTINE  SCHOOL 


C  71 


MADONNA    AND    CHILD 
Seminario,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


FRA    BARTOLOMMEO.     1475—1617 
FLORENTINE    SCHOOL 


C  72 


THE    LAST    JUDGMENT     (Drawing) 
Uffizi,   Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


FRA    BARTOLOMMEO.      1475—1517 
FLORENTINE    SCHOOL 


C  73 


C74 


THE  ETERNAL  FATHER.  SS.  MAGDALEN  AND  CATHERINE 
Gallery,  Lucca 


THE   UNIVERSITY   PRINTS 
BOSTON 


FRA    BARTOLOMMEO.     1476       1517 
FLORENTINE    SCHOOL 


C  75 


S.   MARK 
Pitti,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


FRA    BARTOLOMMEO.     1476—1517 
FLORENTINE    SCHOOL 


C76 


MADONNA    ENTHRONED 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


FRA    BARTOLOMMEO.     1475  —  1617 
FLORENTINE   SCHOOL 


C  77 


MADONNA    AND    ST.    ANNE.     (Detail  of  Madonna  Enthroned) 
Ujpzi,   Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


FRA    BARTOLOMMEO.     1475—1517 
FLORENTINE    SCHOOL 


C  78 


C79 


CHRIST  AT  EMMAUS 
S.  Marco,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


FRA    BARTOLOMMEO.     1475-1517 
FLORENTINE    SCHOOL 


C  80 


SAVONAROLA    AS    ST.    PETER    MARTYR 
Academy,  Florence 


FRA    BARTOLOMMEO.     1475—1517 
FLORENTINE    SCHOOL 


C  81 


MADONNA    DEL    POZZO 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


FRANCIABIGIO.     1482-1624 
FLORENTINE    SCHOOL 


MADONNA    ENTHRONED 
Yale  Art  Q alter y,  New  Haven 


THE    UNIVERSITY    PRINTS 
BOSTON 


RIDOLFO    GHIRLANDAJO.     1483—1561 
FLORENTINE    SCHOOL 


C83 


THE  ADORATION  OF  THE  MAGI 

SS.  Annunziata,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


ANDREA  DEL  SARTO.     1486—1631 
FLORENTINE  SCHOOL 


C  86 


MADONNA    OF   THE    HARPIES 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    DEL    SARTO.     1486—1631 
FLORENTINE    SCHOOL 


C  87 


MADONNA    OF    THE    HARPIES.     (Detail) 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    DEL    SA/fTO.     1486—1631 
FLORENTINE    SCHOOL 


C88 


CHARITY 
Louvre,  Paris 


THE    UNIVERSITY   PRINTS 
BOSTON 


ANDREA    DEL   8ARTO.     1486—1531 
FLORENTINE   SCHOOL 


C  89 


PUTTI 

Academy,  Florence 


THS    UNIVERSITY    PRINTS 


ANDREA    DEL    8ARTO.     !*•*— I  Ml 


C  90 


PORTRAIT    OF    A   SCULPTOR 
National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    DEL   SARTO.     1486-1631 
FLORENTINE    SCHOOL 


C  92 


C  93 


ASSUMPTION    OF    THE    VIRGIN 
Pitti.  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    DEL    SARTO.     1486—1531 
FLORENTINE    SCHOOL 


C94 


ST.  AGNES 
Cathedral,  Pisa 


THE  UNIVERSITY  PRINTS 
BOSTON 


ANDREA  DEL  SARTO.     1486  —  1631 
FLORENTINE  SCHOOL 


C  96 


C97 


PORTRAIT  OF  ANDREA  DEL  SARTO 

fitti,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    DEL    SARTO.     1488— 1631 
FLORENTINE    SCHOOL 


C  98 


C  99 


PORTRAIT    OF    COSIMO    DE'    MEDICI 
Uffizi,  Florence 


THE   UNIVERSITY   PRINTS 
BOSTOH 


PONTOBMO      1494—1667 
FLORENTINE    SCHOOL 


C100 


MADONNA.    CHILD.    AND    ANGELS 
National  Qallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C10I 


THE    DONI    MADONNA 
Uffizi,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1476  —  1664 


C  102 


THE    ENTOMBMENT 
National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  108 


I 


C104 


C  IOC 


C  106 


->  ^ 


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z  -~ 

O  .« 


C  107 


C  106 


HI  - 

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O   6 


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C  110 


C  111 


cm 


U.    £ 

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LU   U 

Q   * 

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C  114 


C  115 


C116 


UJ      5 
U.      O 

O  «= 

i! 


Q  "S 
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Hi  c 


. 
I-  tj 

I  «0 


C  11? 


THE    PROPHET   JONAH 
Ceiling,  Sistlne  Chapel,   Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476  —  1664 


C118 


THE  PROPHET  JEREMIAH 
Ceiling.  Sistlne  Chapel,  Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  119 


THE    PROPHET    EZEKIEL 
Ceiling,  Siatlne  Chapel,  Vatican,  Rome 


F    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475— :564 


C  120 


THE    PROPHET   JOEL 

Ceiling,  Sistine  Chapel,   Vatican,   Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476—1564 


C  121 


THE    PROPHET   ZECHARIAH 
Ceiling,  Sistine  Chapel,   Vatican.  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  122 


THE  PROPHET  ISAIAH 
Celling.  Sistine  Chapel,  Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  123 


THE    PROPHET    DANIEL 

Culling,  Sistine  Chapel.   Vatican.  Roma 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C124 


THE    PERSIAN    SIBYL 
Ceiling,  Sistine  Chapel,   Vatican    Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1664 


C  126 


THE    ERYTHREAN    SIBYL 

iiKi    SixihiK  Chupfl,    Vntiran,  Home 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476—1664 


C  126 


THE  DELPHIC  SIBYL 
Ceiling,  Sistine  Chapel,  Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475-1564 


C127 


THE  CUMAEAN   SIBYL 
Celling,  Slatlne  Chapel,  Vatican,  Roms 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476-1564 


C128 


THE   LIBYAN  SIBYL 

('Ailing.  Sistine  Chapel,  Vatican,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1475  —  1664 


C  120 


C  130 


DECORATIVE    FIGURE 
Ceiling,  Sistine  Chapel,   Vatican,   Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475-1564 


C  132 


DECORATIVE    FIGURE 

Ceiling,  Sistine  Chapel,   Vatican,  Rome 


MICHELANGELO.     1475-1664 


DECORATIVE  FIGURE 
Ceiling,  Sistine  Chapel,   Vatican.  Romt 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.    1475-1664 


C  134 


THE  LAST  JUDGMENT 

East  Wall,  Sistine  Chapel,  Vatican,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1475  — !664 


CHRIST    THE    JUDGE.     (Detail  of  Last  Judgment) 
fast  Wall,  Sistine  Chapel,    Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475-1564 


I 


ST.    SEBASTIAN.     (Detail,  Last  Judgment) 
East  Wall,  Sistine  Chapel,    Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  137 


C138 


THE  DESCENT  FROM  THE  CROSS 

5.  Triiiita  de'  Monti,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


DANIELE    DA    VOLTERRA.     1509 


C  139 


C140 


YOUTHFUL    JESUS 
Martinengo  Collection,  Brescia 


THE    UNIVf  ::SITY    PRINTS 
BOSTON 


VITI.     14697—1523 


C  141 


THE    ANNUNCIATION 
Brera,  Milan 


THE    UNIVERSITY   PRINTS 
BOSTON 


VITI.     14607^1523 


C  142 


MAGDALEN    IN    THE    DESERT 
Gallery,  Bologna 


THE    UNIVERSITY    PRINTS 
BOSTON 


C  .143 


SOLLY    MADONNA 
Kaiser  Friedrich  Museum,  Berlin 


THE    UNIVERSITY    PRIN  , 
BOSTON 


RAPHAEL.     1483- I62O 


C  144 


VISION    OF    A    KNIGHT 

National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1433—1520 


C  145 


ST.    SEBASTIAN 
Lochis  Collection,  Bergamo 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1520 


C  146 


CORONATION    OF    THE    VIRGIN 

Picture  Gallery,   Vatican,  Rome 


THE    UNIVERSITY    PRINTS 


RAPHA- 


C  147 


THE   MARRIAGE  OF  THE  VIRGIN 
Brera,  Milan 


rL"~   ""'VF"*"TY  PRINTS 

' 


RAPHAEL.     1483  — 


C  148 


C149 


MADONNA   DEL  GRANDUCA 
Plttl.  Florence 


RAPHAEL.     1483  —  1620 


C160 


C  151 


MADONNA  DEL  CARDELLINO     (Detail) 
Uffizl,  Florence 


PHE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1620 


C  152 


F 


PORTRAIT    OF    ANGELO    DONI 
Pitti,  Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C153 


MADONNA    Dl    CASA    TEMPI 
Alte  Pinakothek.   Munich 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1620 


C154 


MADONNA  DEL  CORDERO 
Prado,  Madrid 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  165 


MADONNA    ANSIDEI 
National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1620 


C156 


LA  BELLE  JARDINIERE 
Louure,  Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1520 


C  167 


C  158 


MADONNA    DEL    PRATO 
Imperial  Gallery,    Vienna 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


',9 


9UB 


C160 


ii 

5  * 

K  «=' 
o| 


. 

0  I 

HI   <^ 

^° 
a* 

5  | 

LU     S 


C  161 


CHRIST      (Detail.  Dispute  of  the  Sacr»m«nt) 
Camera  delta  Segnatura.    Vatican.  Rome 


~    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1620 


C  162 


C  163 


C  164 


C165 


II 

t  a 

al 

O  a 


Q.  2 

<  S 


C  166 


SAPPHO.     (Detail  of  Parnassus) 
Camera  delta  Segnatura,   Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C187 


C  168 


C  169 


Q  .  • 
O  g 
I 


SI 
8! 


C  170 


THE    JUDGMENT    OF    SOLOMON 
Camera  delta  Segnatura,    Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     I4( 


C  171 


THEOLOGY 
Camera  delta  Segnatura,   Vatican,  Rome 


UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1433—1520 


C  172 


PORTRAIT    OF    POPE    JULIUS    II 
Pitti,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  173 


THE    VISION    OF    EZEKIEL 
Pitt/,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  174 


MADONNA    DELL'    IMPANNATA 
Pitti,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C175 


MADONNA    GARVAGH 
National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1520 


C176 


to 

3 
QC    w 

o  s 

8* 

ull 


C179 


C  180 


C  181 


C  182 


SIBYLS.     (Detail  of  the  Four  Sibyls) 
S.   M.  delta  Pace,   Rome 


THE   UNIVERSITY   PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  183 


GALATEA 
Farnetina,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1520 


C184 


MADONNA  DEL  PESCE* 
Pradc,  Madrid 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  185 


PORTRAIT  OF  A  CARDINAL 
Prado,  Madrid 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1620 


C186 


THE  UNIVERSITY  PRINTS 


ST.  CECILIA 
Sallery,  Bologna 


RAPHAEL.     1483  — 1620 


C187 


LO    SPASIMO 
Prado,  Madrid 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1520 


C  188 


MADONNA  DELLA  SEDIA 
Plttl,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


RAPHAEL.     1483  —  1520 


C189 


0   5 

K    3 

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gi 

CO 
00 

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C  190 


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u. 


CD 

3 
O 

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D 
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CI91 


PSYCHE    OFFERING    VASE    TO    VENUS 
Farnesina,   Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483  —  1520 


C192 


JUPITER    CONSOLING    CUPID.     (Drawing) 
Louvre,   Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  193 


MADONNA    OF    FRANCIS     I 
Louvre,   Paris 


THE    UNIVERSITY   PRINTS 
BOSTON 


RAPHAEL.    1483-1520 


C  1. 


DONNA  VELATA 
Pittl,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C195 


PORTRAIT    OF    POPE    LEO    X 
Pitti,  Florence 


E    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  196 


MADONNA    Dl    SAN    SISTO 

Gallery,  Dresden 


THE   UNIVERSITY   PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C  197 


MADONNA    AND    CHILD.     (Detail  of   Madonna  di  San  Sisto) 
Gallery,  Dresden 


CHE    UNIVERSITY    PRINTS 
BOSTON 


TfTp^A 


..     1483—1520 


C  198 


LOGGIA 

Vatican,  Rome 


'HE  UNIVERSITY  PRINTS 
BOSTON 


RAPHAEL.     1483—1520 


C199 


ill   S 


Q   e 
2  "5 

< 


C  200 


THE  TRANSFIGURATION 
Picture  Gallery,  Vatican,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


RAPHAEL.     1483  —  1620 


C201 


HEAD  OF  CHRIST     (Detail,  The  Transfiguration) 
Picture  Gallery,  Vatican,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


RAPHAEL.     1483-1520 


C202 


I 
I- 

OS 

<  2 


•i 


C203 


THE  UNIVERSITY  PRINTS 
BOSTON 


MADONNA    DELLA  CATINA 
Gallery,  Dresden 


GIULIO    ROMANO.     14927—1546 


C  204 


C  205 


POLYPHEMUS 
Sola  di  Psirhe.   Palazzo  del  T,   Mantua 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIULIO    ROMANO.     14927-1646 


C  206 


MADONNA    AND    SAINTS 
Colonna,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


INNOCENZA    DA    IMOLA.     1494— I55O 


C  207 


ID     . 

I    « 


C208 


JUSTICE 
Camera  di  Constantino,    Vatican,   Home 


THE    UNIVERSITY    PRINTS 
BOSTON 


PERINO    DEL   VAGA.      I5OO     1547 


C  209 


C210 


CIRCE 

Borghese,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


DOSSO    DOSSI.     1479—1542 
FERRARA 


C  211 


C  212 


THE    DEPOSITION 

Borghese,   Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


GAROFALO.      1481  —  1534 
FERRARA 


C213 


g 
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m  < 

a  5 

oc  a 

o  < 

O  0. 


< 
cr 
O 
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C  214 


MADONNA    AND    CHILD,    WITH    ANGELS 
Uffizi,   Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     I494-S634 
PARMA 


C  216 


MADONNA    AND    CHILD 
Casiel'o    Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—1534 
PARMA 


C  216 


MADONNA    DELLA    CESTA 

National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—1534 
PARMA 


C217 


MADONNA  OF  ST.  FRANCIS 
Oa/lery,  Dresden 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—1634 
PARMA 


C218 


0   o 
Z    5 


Z  oi 

O  « 

h  § 

o  g 

UJ  § 

CO  O 


J 


DIANA 
Convent    S.  Paolo,  Parma 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGOIO      1494—1534 
PARMA 


C'220 


MEDALLION 

Ceiling,  Convent  S.  Paolo,  Parma 


THE  UNIVERSITY  PRINTS 
BOSTON 


CORREGGIO.     1494  —  1534 
PARMA 


C221 


MEDALLION 
Ceiling,   Convent  S.  Paolo,   Parma 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGQIO.     1494—1634 
PARMA 


C  222 


VENUS.  MERCURY  AND  CUPID 

National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—153' 
PARMA 


C223 


: 


THE  SAVIOUR     (Detail,  from  copy  by  Toschi) 
Cupola,  S.  Giovanni  Euangellsta,   Parma 


THE  UNIVERSITY  PRINTS 
BOSTON 


CORREGGIO.     1494  —  1534 
PARMA 


C  224 


C225 


C  226 


C227 


31 


Za 
• 

O  5 


o 
5 

2< 


C228 


U. 
0°- 


«  o 


C  229 


THE    MARRIAGE    OF    ST.    CATHERINE 
Loi/ure,  Paris 


E    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—1634 
PARMA 


C  230 


MADONNA    OF    ST.    SEBASTIAN 
Gallery,  Dresden 


THE    UNIVERSITY    PRINTS 
BOSTON 


CO'  r'fc       -'O.     U 
P/i      / 


C231 


MADONNA    OF    ST.    JEROME 
Gallery,   Parma 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—1534 
PARMA 


C  232 


MADONNA    DELLA    SCODELLA 
Gallery,  Parma 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO.     1494—1534 
PARMA 


C  233 


ADORATION  OF  THE  SHEPHERDS   (Holy 
Gallery,  Dresden 

THE    UNIVERSITY    PRINTS  CORREGGIO.     1494  —  1634 

BOSTON  PARMA 


C  234 


C235 


MADONNA    OF    ST.    GEORGE 
Gallery,   Dresden 


HE    UNIVERSITY    PRINTS 
BOSTON 


CORREGGIO      1404-1634 
PARMA 


c  m 


8! 


i 


C  237 


GANYMEDE 

Imperial  Qallery,   Vienna 


TON 


CORREGGIO.     1404— I6U4 
PARMA 


C  238 


JUPITER    AND    IO 
Imperial  Gallery,   Vienna 


THE    UNIVERSITY    PRINTS 
BOSTON 


CORREQQIO.     1*04—1634 
PAKMA 


C  239 


MADONNA.    CHILD    AND    ANGELS 

Pittl,  Florence 


IE    UNIVERSITY    PRINTS 
BOSTON 


IL     PARMIGIANINO.     1604— 1640 
PARMA 


C  240 


PORTRAIT   OF   A    WOMAN 
National  Museum,  Naples 


THE   UNIVERSITY   PRINTS 
BOSTON 


IL    PARMIGIANINO.     1504-1640 
PARMA 


C  241 


PORTRAIT    OF    A    YOUTH 
Imperial  Gallery,   Vienna 


-\E    UNIVERSITY    PRINTS 
BOSTON 


JACOPO    DE'    BARBARI?     1460?— 1616? 
VENETIAN    SCHOOL 


C  242 


~, 


CHRIST    BEARING    THE    CROSS 
Fenway  Court,  Boston 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIORGIONE.     1477?— 1511 
VENETIAN    SCHOOL 


C  243 


(A) 


STORMY  LANDSCAPE  WITH  SOLDIER  AND  GIPSY 
Giouanelli  Palace,   Venice 


IIVERSITY    PRINTS 

BOSTON 


GIORGIONE.     14777— 1511 
VENETIAN    SCHOOL 


C  244 


THE    JUDGMENT    OF    SOLOMON 
Uffizi,  Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


GIORGIONE.     1477?— 1511 
VENETIAN    SCHOOL 


C  245 


THE    TRIAL    OF    MOSES 
Uffizi,  Florence 


HE    UNIVERSITY    PRINTS 
BOSTON 


GIORGIONE.     14777— 1511 
VENETIAN    SCHOOL 


C  246 


PORTRAIT    OF    YOUNG    MAN 

Kaiser  Friedrich  Museum,  Berlin 


THE  UNIVERSITY  PRINTS 
BOSTON 


GIORQIONE.     1477— 1511 
VENETIAN    SCHOOL 


C  247 


MADONNA    WITH    SS.    LIBERALE    AND    FRANCIS 
Cathedral,   Caste/franco 


THE    UNIVERSITY 
BOSTON 


GIORGIONE.     1477?— 1611 
VENETIAN    SCHOOL 


C  248 


MADONNA    AND    CHILD.     (Detail  of  Altar-piece) 
Cathedral,  Castelfranco 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIORGIONE.     14777— 1511 
VENETIAN   SCHOOL 


C  249 


t~  O 

t  I 


z  z 

O  < 

C3  I- 


O 
O 

111 

z 

O 

CO 

CO   v 

<  .a 


- 

2 


C  250 


KNIGHT   OF   MALTA 

(Iffui,   Flv 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIORGIONE.     1477?— 1611 
VENETIAN    SCHOOL 


C  261 


C  262 


C  253 


~  o 

.  CO 

iz 
O  < 

5  i- 
g  u 

2S 
j  > 


254 


PORTRAIT    OF    A    MAN 

Gallery,  Budapest 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIORQIONE.     14777— 1511 
VENETIAN    SCHOOL 


• 


C  256 


SHEPHERD    BOY.     (Attributed) 
Hampton  Court,  England 


THE    UNIVERSITY    PRINTS 
BOSTON 


C  257 


C  258 


C  2M 


C  260 


C  261 


CD  -I 

£8 


h-  00 

— 

< 

Z   h 

<  uj 

Eg 

H  > 


li 


b  * 
<•<§ 

Z 
Z 

o 

Q 


C  262 


C  263 


HEAD   OF    MONK    (Detail) 
Pitt!,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.     1477  —  1576 
VENETIAN    SCHOOL 


C  264 


co  J 
h-  O 
to  O 


z  h 

<   HI 


ARTLESS    LOVE.     (Detail) 
Borgliese,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.      1477— :578 
VENETIAN    SCHOOL 


THE    MAN    WITH    THE    GLOVE 
Louvre,   Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.      1477—1576 
VENETIAN    SCHOOL 


C  267 


ST.    MARK    ENTHRONED.    WITH    SAINTS 
S.  M.  delta  Salute,   Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.     1477—1578 
VENETIAN    SCHOOL 


C  268 


C  269 


THE    TRIBUTE    MONEY 

Gallery,  Dresden 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.      1477—1576 
VENETIAN    SCHOOL 


C270 


ASSUMPTION  OF  THE  VIRGIN 

Academy,  Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.     1477  —  1676 
VENETIAN  SCHOOL 


C  271 


THE    VIRGIN.     (Detail  of  Assumption) 
Academy,   Venice 


HE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.      1477—1576 
VENETIAN    SCHOOL 


C  272 


C  273 


C  274 


ALTAR-PIECE:    THE    RESURRECTION 

SS.  Nazzaro  e  Celso,  Brescia 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.      1477—1576 
VENETIAN    SCHOOL 


C  275 


C  276 


C  277 


ALFONSO    D'ESTE    AND   LAURA    DIANTI 
Louvre,  Paris 


TITIAN.      1477-1676 
VENETIAN    SCHOOL 


C  278 


THE    UNIVERSITY    PRINTS 
BOSTON 


FLORA 

Uffizi,  Florence 


TITIAN.     1477—1576 
VENETIAN    SCHOOL 


C  279 


C  280 


PORTRAIT  OF  JACOPO  SORANZO 

Academy,    Venice 


TITIAN.     1477—1576 
VENETIAN    SCHOOL 


C  281 


MADONNA    OF    THE    PE8ARO    FAMILY 
Frari,   Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.    1477—1676 
VENETIAN  SCHOOL 


C  282 


MADONNA  AND  CHILD  (Detail  of  Madonna  of  Pesaro  Family) 
Frari,  Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.     1477  —  1676 
VENETIAN    SCHOOL 


C  283 


DONOR  (Detail  of  Madonna  of  Pesaro  Family) 
Ffarl,  Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.     1477  —  1576 
VENETIAN    SCHOOL 


C  284 


ST.    CHRISTOPHER.     (Fresco) 
Ducal  Pa/ace,   Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


C  286 


DEATH    OF    ST.    PETER    MARTYR     (Copy) 
SS.  Giovanni  e  Paolo,   Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.     1477—1676 
VENETIAN  SCHOOL 


C  286 


ARETINO 

Pitti,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.     1477—1576 
VENETIAN    SCHOOL 


C  287 


ST.  JOHN  THE  ALMSGIVER 
S.  Giovanni  Elemoslnarlo,  Venlcf 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.    1477—1676 
VENETIAN  SCHOOL 


C  288 


C  289 


LA    BELLA    'DUCHESS    OF    URBINO   ? 
Plttt,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN     1477  —  1576 
VENETIAN  SCHOOL 


C  290 


THE    PHYSICIAN.    PARMA 
Imperial  Gallery,    Vienna 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.       1477—1576 
VENETIAN    SCHOOL 


C291 


<B    X 

r-  O 
10  O 


Z  I- 
<    UJ 


5 

M 


C  292 


GROUP    OF    WITNESSES.     (Detail,  Presentation  of  Virgin) 
Academy,    Venice 


THE   UNIVERSITY   PRINTS 
BOSTON 


TITIAN.     1477—1676 
VENETIAN  SCHOOL 


C  293 


HOWARD.    DUKE    OF    NORFOLK? 
Pitti.  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.     1477—1676 
VENETIAN   SCHOOL 


C294 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.    1477  —  1576 
VENETIAN  SCHOOL 


C  296 


POPE    PAUL    III 
National  Museum.  Naples 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.      1477— S676 
VENETIAN    SCHOOL 


C  296 


LAVINIA    BEARING    SALVER    OF    FRUIT 
Kaiser  Friedrich  Museum,  Berlin 


THE    UNIVERSITY    PRINTS 
BOSTON 


TITIAN.     1477—1576 
VENETIAN    SCHOOL 


C  297 


to  o 

-8 

t-  «> 


Z  H 
<  LU 


C  298 


CHARLES  V.     AT  MUHLBERG 

Prat/o,  Madrid 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.     1477  —  1576 
VENETIAN  SCHOOL 


C299 


5 

10  O 

T8 


<  in 

PS 


II 


C300 


CHRIST  CROWNED  WITH  THORNS 
Lou  ore  Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


TITIAN.    1477  —  1576 
VENETIAN  SCHOOL 


C  301 


CD  O 

r-  o 
5  I 


z  h- 

<  UI 

t  u 

I-  > 


Si  I 


C  302 


ST.    BARBARA 
S.  M.  Formosa,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


PALMA    VECCHIO.     14807—1628 
VENETIAN    SOHOOl. 


C  303 


MADONNA    ENTHRONED 
S.  Stefano,    Vicenzu 


THE    UNIVERSITY    PRINTS 
BOSTON 


PALMA    VECCHIO.     I48O?— IB28 
VENETIAN    SCHOOL 


C304 


68 


IS 

_j  z 
<  m 
Q.  > 


I    c 


>•  z 

b  o 

00  H 

o:  <D 

m  O 

>  m 

z 

3 
HI 

I 
I- 


C306 


PORTRAIT   OF    A    YOUNG    LADY 
Imperial  Gallery.    Vienna 


E    UNIVERSITY    PRINTS 
BOSTON 


PALMA    VECCHIO.     I48O7— !628 
VENETIAN    SCHOOL 


(  ,  - 


ARIOSTO.     (Questioned) 
National  Gallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


PALMA    VECCHIO.     14807—16 
VENETIAN    SCHOOL 


C  309 


ST.    LORENZO   QIU8TINIANI    WITH    OTHER    SAINTS 
Academy,    Venice 


IE    UNIVERSITY    PRINTS 
BOSTON 


PORDENONE.     1483—1538 
VENETIAN    SCHOOL 


C  310 


ST.    CHRYSOSTOM    WITH    SAINTS 
S.  Oiou.  Crisostomo,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


SEBASTIANO    DEL    PIOMBO.     1485—1547 
VENETIAN    SCHOOL 


C  311 


THE    VISITATION 
Academy,   Venice 


IE   UNIVERSITY   PRINTS 
BOSTON 


SEBA8TIANO    DEL    PIOMBO.     1485—1547 
VENETIAN    SCHOOL 


C  312 


LA    FORNARINA 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


SEBASTIANO    DEL    PIOMBO.     1486—164 
VENETIAN    SCHOOL 


C  313 


C314 


RAISING  OF  LAZARUS 
National  Gallery,  London 


THE  UNIVERSITY  PRINTS 
BOSTON 


SEBASTIANO  DEL  PIOMBO.     1485-1547 
VENETIAN  SCHOOL 


C315 


PORTRAIT    OF    A    WOMAN 
Kniser  Friedrlch  Museum,  Berlin 


E  UNIVERSITY  PRINTS 
BOSTON 


SEBASTIANO  DEL  PIOMBO.     1486  —  1647 
VENETIAN    SCHOOL 


C  316 


PORTRAIT    OF   A    MAN 
Uffizi,  Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


SEBA8TIANO    DEL    PIOMBO.     1485—1547 
VENETIAN    SCHOOL 


C  317 


YOUNG    MAN     WITH    A    ROSE 
Alte  Pinahotlieh,   Munich 


THE    UNIVERSITY    PRINTS 
BOSTON 


TORBIDO.     1486—1536 
VENETIAN    SCHOOL 


C318 


FISHERMAN   PRESENTING  ST.  MARK'S  RING  TO  DOGE  GRADENIGO 
Academy,  Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


PARIS    BORDONE.     1500— 1670 
VENETIAN    SCHOOL 


C  319 


A    LADY    OF    THE    BRIGNOLE    FAMILY 
National  Gallery,   London 


THE  UNIVERSITY  PRINTS 
BOSTON 


PARIS    BORDONE.     I5OO-I57O 
VENETIAN    SCHOOL 


C  320 


C  321 


C  322 


FINDING  THE  BODY  OF  ST.  MARK 
Brera,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


TINTORETTO.     1518—1594 
VENETIAN  SCHOOL 


C325 


C  326 


THE    ANNUNCIATION.     (Detail) 
S.  Rocco,   Venice 


THE    UNIVERSITY   PRINTS 
BOSTON 


TINTORETTO.     1518—1594 
VENETIAN    SCHOOL 


C  327 


C  328 


C  329 


120 


Q  , 

51 

t  ^ 
o  . 


C330 


C  331 


CHRIST    BEFORE    PILATE 
S.  Rocco,  Venice 


E    UNIVERSITY    PRINTS 
BOSTON 


TINTORETTO.     1618—1594 
VENETIAN    SCHOOL 


C332 


C333 


C  334 


C335 


C  336 


THE  FORGE  OF  VULCAN 
Ducal  Palace,  Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


TINTORETTO.     1518—1594 
VENETIAN    SCHOOL 


C  337 


PORTRAIT  OF  A  PROCURATOR 
Uffizt.  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


TINTORETTO.    1518  —  1594 
VENETIAN    SCHOOL 


C  338 


C339 


w  -< 

CO  < 

w  5 

z  O 

o  fc 

Qr  UJ 

S  > 

O  O 


Z  X 

o  o 
m  co 


z 
1 

i 
o 
oc  g 

sl 

u.  I 
O  « 

UJ    u 

-i  •* 
00 

< 

a 
< 
a. 


C  340 


LAZARUS.     (Detail  of  Parable  of  the  Rich  Man) 
Academy,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


BONiFAZIO    VERONE8       I.     I49O7-I640 
SCHOOL   OF   VERONA 


C  341 


^ 
co  < 

UJ   Z 

z  O 
O  cr 

CC   UJ 
UJ    > 

U. 

O  O 


I-  a, 
Z   5 

II 
§ 


C  342 


C  343 


ST.    BERNARD    AND    ST.   SEBASTIAN 
Academy,   Venice 


,-'  • 


'-•   •       •  • 


ZIO    (III)    VENEZIANO.     b.     1525 
HOOl.    OF    VERONA 


C  344 


IT.   GREGORY   AND  ST.  JEROME 

(Compartment  of  Triptych) 
Brera,  Milan 


THE    UNIVERSITY   PRINTS 


MJL    VERONESE.     1528—1688 


C345 


V 


THE  CORONATION  OF  ESTHER 
Ceiling,  S.  Sebastiano,    Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


PAUL    VERONESE.     1528—1588 
SCHOOL    OF    VERONA 


C346 


C347 


- 

§1 


CO 

g< 

.  O 

UJ  QC 

CO  UJ 

UJ  > 

O  £ 

cr  O 


-l  O 

D  I 

<  O 

0.  CO 


C348 


DETAIL    OF    THE    FEAST    AT    THE  HOUSE     OF    LEVI 
Academy,   Venice 


PAUL    VERONESE.     1528—1588 
SCHOOL    OF    VERONA 


C  349 


PADRE    SERVITO    GRANO    (Detail) 
Monte  Berico,  Vicema 


THE    UNIVERSITY    PRINTS 
BOSTON 


PAUL    VERONESE.     1528—1688 
SCHOOL    OF    VERONA 


C350 


C  351 


ST.   HELENA   DREAMING  OF  THE  CROSS 
7  National  Qalleru,  London 

•HE  UNIVERSITY  PRINTS  PAUL    VERONESE.     1528-1588 


BOSTON 


SCHOOL    OF    VERONA 


C352 


FINDING  OF  MOSES 
Prado,  Madrid 


THE    UNIVERSITY    PRINTS 
BOSTON 


PAUL    VERONESE.     1528-1588 
SCHOOL    OF    VERONA 


C  363 


ST.  ANTHONY  ABBOT  ENTHRONED  WITH  ST.  CORNELIUS  AND  ST.  CYPRIAN 

Brera,  Milan 


HE  UNIVERSITY  PRINTS 
BOSTON 


PAUL    VERONESE.     1528—1688 
SCHOOL   OF   VERONA 


354 


co 

N  -» 

2  | 

.  O 

in  ce 

co  ui 

u  > 

°fe 

a  O 


_i  O 

D  I 

<  O 

Q.  0) 


CO 

2 

CE 
< 
Q 

U_ 

O   .. 


I  CD 

ol 

z  s 

<     B 


C  366 


ANGEL.     (  Detail  of  Annunciation; 
Academy,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


PAUL    VERONESE.     1528—1588 
SCHOOL    OF    VERONA 


C356 


THE  UNIVERSITY  PRINTS 
BOSTON 


MARRIAGE  OF  ST.  CATHERINE 

S.  Caterina,  Venice 


PAUL    VERONESE.     1528—1588 
SCHOOL   OF   VERONA 


C  367 


C3G8 


C  359 


MEDALLION 
Ceiling,  Ducal  Palace,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


PAUL    VERONESE.     1528—1588 
SCHOOL    OF    VERONA 


C  360 


THE  UNIVERSITY  PRINTS 
BOSTON 


MADONNA  WITH  SAINTS 
S.  Bartolommeo,  Bergamo 


LOTTO.     1480?— 1666? 
SCHOOL    OF    BERGAMO 


C  361 


THE  BROTHERS  DELLA  TORRE 

National  Gallery.    London 


THE    UNIVERSITY    PRINTS 
BOSTON 


LOTTO.     14807—1656? 
SCHOOL    OF    BERGAMO 


C  362 


PORTRAIT  OF    A    YOUTH 
Castello,   Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


LOTTO.     1480?— 1556? 
SCHOOL    OF    BERGANK 


C363 


C364 


PORTRAIT  OF  AN  OLD  MAN 
Brer  a,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


LOTTO.     14807—1556? 
SCHOOL    OF    BERGAMO 


C  365 


FHE   UNIVERSITY  PRINTS 
BOSTON 


DONNA   LAURA  DA   POLA  ? 
Brera,  Milan 


LOTTO.     I4S07-I666? 
SCHOOL    OF    BERGAMO 


C366 


C  367 


PORTRAIT    OF    A    MAN 

A  He  Pinahotheh,   Munich 


IE    UNIVERSITY    PRINTS 
BOSTON 


CARIANI.     I48O— 1644 
VENETIAN    SCHOOL 


C  368 


— 


MADONNA    ENTHRONED,    WITH    SAINTS 
Gallery,   Padua 


THE    UNIVERSITY    PRINTS 
BOSTON 


ROMAN  INO.     14857—1566? 
SCHOOL   OF    BRESCIA 


C  369 


C  370 


SUPPER    AT   EMMAUS 

Martinengo  Collection,  Brescia 


THE    UNIVERSITY    PRINTS 
BOSTON 


ROMANINO.     14857—1566? 
SCHOOL    OF    BRESCIA 


C371 


WE  UNIVERSITY  PRINTS 
BOSTON 


MADONNA    IN    GLORY 
Martinengo  Collection,  Brescia 


MORETTO.     1498—1656 
SCHOOL    OF    BRESCIA 


C372 


THE   UNIVERSITY  PRINTS 
BOSTON 


ST.  JUSTINA 
Imperial  Qallery,  Vienna 


MORETTO.     1498—1555 
SCHOOL    OF    BRESCIA 


C  373 


ST.    NICCOLO    DA    BARI    PRESENTING    CHILDREN    TO    THE    VIRGIN 
Martinengo  Collection,  Brescia 


HE    UNIVERSITY    PRINTS 
BOSTON 


MORETTO.     1498—1655 
BRESCIA 


C  374 


MADONNA    AND    CHILD.     (Detail) 
Martinengo  Collection,   Brescia 


THE    UNIVERSITY   PRINTS 
BOSTON 


MORETTO.     1498— I56E 
BRESCIA 


C  37i 


t< 

h  ri 


2°° 


C376 


O  '-5 
z    ~ 

ii 
Is 

UJ     J 


C  377 


COUNT    SCIARRA    MARTINENGO    CESARESCO 
National  Gallery,   London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MORETTO.     1498—1566 
BRESCIA 


C378 


THE   TAILOR 
National  Qallery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MORONI.     15257—1578 
BRESCIA 


PORTRAIT   OF    A    LAWYER 
national  Ga/lery,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MORONI.     15257—1678 
BRESCIA 


PORTRAIT    OF    ANTONIO    NAVIGERO 

Brera,   Milan 


THE    UNIVERSITY   PRINTS 
BOSTON 


MORONI.     16257—1578 
PRESCIA 


PORTRAIT    OF    A    MAN 
National  Gallery,   London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MORONI.     1625?— 1578 
BRESCIA 


C  382 


CHRIST    IN    LIMBO 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


BRONZING.     1602- 
MANNERIST 


C383 


LUCREZIA  PANCIATICHI 
Uffizl,  Florence 


HE  UNIVERSITY  PRINTS 
BOSTON 


BRONZING.     1502  —  1672 
MANNERIST 


C384 


LORENZO   THE    MAGNIFICENT 
Uffizi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


VASARI.     1512—157 
MANNERIST 


C  385 


CHRIST    APPEARING    TO    MARY 
(Jffizi,  Florence 


JNIVERSITY    PRINTS 
BOSTON 


BAROCCIO.     1528—1612 
MANNERIST 


C  386 


MADONNA    DEL    POPOLO 
Uffzi,   Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


BAROCCIO.     1628-16 
MANNERIST 


C387 


MADONNA,  ANGELS,  AND  SAINTS 
Gallery,  Bologna 


PHE  UNIVERSITY  PRINTS 
BOSTON 


LUDOVICO  CARRACCI.     1656  —  1619 
ECLECTIC 


C  388 


COMMUNION  OF  ST.  JEROME 
Qallery,  Bologna 


THE  UNIVERSITY  PRINTS 
BOSTON 


AGOSTINO  CARRACCI.     1558       I6C 
ECLECTIC 


C  3H'J 


C  390 


C  391 


O  -I 

T§ 

§  O 

10  oo 

.  O 

g  p 

o  2 

o  -i 

<  D 

oc  h- 


00 

CE 

LU    C 


a 
S? 

^    —  . 

O  a 


C392 


THE  ENTOMBMENT 
Picture  Gallery,   Vatican,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


CARAVAGGIO.     1569  —  1609 
NATURALISTIC  SCHOOL 


C  393 


DEATH    OF    THE    VIRGIN 
Louure,  Paris 


CARAVAGGIO.     1560—1609 
NATURALISTIC    SCHOOL 


C  394 


ST.    PETER    AND    ST.    PAUL 

Brera,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


OUIDO   RENI.     1675—1642 
ECLECTIC 


DEJANIRA  AND  THE  CENTAUR  NES8US 
Louvre,  Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


GUIDO    RENI.     1575—1642 
ECLECTIC 


C396 


DC 
O 
t£ 

D 

CO  eg 
DC 

D  •=" 


Q| 
<  J 


o  o 

2  j 

D  O 

O  LU 


C397 


THE  ARCHANGEL  MICHAEL 
Capuchin  Church,  Home 


fHE  UNIVERSITY  PRINTS 
BOSTON 


GUIOO    RENI. 
ECLECTIC 


1575— 1642 


C  398 


C  390 


JUDITH    WITH    THE    HEAD    OF    HOLOFERNES 
Plttl,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ALLORI.     1577—1621 
ECLECTIC 


C  400 


LAST   COMMUNION    OF    ST.   JEROME 

^       Picture  Gallery,    Vatican,  Rome 


THE    UNI  'ERSITY    PRINTS 
BOSTON 


DOMENICHINO.      1581—16 
ECLECTIC 


C401 


HEAD  OF  AN   ACOLYTE   (Detail) 
Picture  Gallery,   Vatican,  Rome 


"HE    UNIVERSITY    PRINTS 
BOSTON 


DOMENICHINO.     1581— 1641 
ECLECTIC 


C  4C2 


ASCENSION    OF    ST.    PAUL 
Louvre,   Paris 


THE    UNIVERSITY    PRINTS 
BOSTON 


DOMENICH1NO.     1681— 
ECLECTIC 


C  403 


C404 


ST.  CECILIA 

Louvre,  Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


DOMENICHINO.     1681— I 
ECLECTIC 


C  405 


o 

10  00 

.  O 

O  h 

z  o 

<  UI 

m  -i 
-J  O 

<  UJ 


C406 


C  407 


THE    VIRGIN    APPEARING    TO    ST.    BRUNO 
Gallery,   Bologna 


THE    UNIVERSITY    PRINTS 
BOSTON 


QUERCINO.     1591—1663 
ECLECTIC    SCHOOL 


C  408 


C  409 


THE    VIRGIN.     (Detail  of  Annunciation) 
Gallery,  Forll 


THE    UNIVERSITY    PRINTS 
BOSTON 


GUERCINO.     1591—1666 
ECLECTIC    SCHOOL 


C410 


MADONNA  AND  CHILD 
Borghese,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


GUERCINO.     1591—1666 
ECLECTIC    SCHOOL 


C  411 


ST.    CECILIA 
Gallery,  Dresden 


THE    UNIVERSITY    PRINTS 
BOSTON 


CARLO    DOLCE.     1616— I68Q 
ECLECTIC    SCHOOL 


C412 


ST.  CASIMIR 

Pittl,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


CARLO    DOLCE.     1616—1686 
ECLECTIC    SCHOOL 


C  413 


C414 


(    416 


C  417 


C  418 


A   YOUTHFUL    ARTIST 
Carrara  Collection,  Bergamo 


THE    UNIVERSITY    PRINTS 
BOSTON 


GHISLANDI.     b.     1655 
LATE    VENETIAN    SCHCr 


C  419 


C420 


C  421 


MADONNA    OF    THE    ROSARY 

Poldi-Pezzoli,  Milan 


THE    UNIVERSITY    PRINTS 
BOSTON 


TIEPOLO.     1692—1770 
LATE    VENETIAN    SCHOOL 


C  422 


C423 


C  424 


DETAIL    OF    FACADE 
Certosa,  Pauia 


THE    UNIVERSITY    PRINTS 
BOSTON 


AMBROGIO    DA    FOSSANO.     14507—1623 
LOMBARD    SCHOOL 


C  426 


DETAIL    OF    PRINCIPAL    PORTAL 
Certosa,  Pauia 


THE    UNIVERSITY    PRINTS 
BOSTON 


AMBROGIO    DA    FO8SANO.     14507—1523 
LOMBARD    SCHOOL 


C  427 


DOOR    OF    THE    SACRISTY 
Certosa,  Paula 


THE    UNIVERSITY    PRINTS 
BOSTON 


OMODEO.     1447—1622 
LOMBARD    SCHOOL 


C  428 


2 

o 

< 

EC 
§1 


o:  o 
d 


C  429 


TOMB    OF    GIAN    GALEAZZO    VISCONTI 
Certoaa,  Pavia 


HE  UNIVERSITY  PRINTS 
BOSTON 


PELLEGRINI,    fl.     I49O 
LOMBARD    SCHOOL 


C  430 


TOMB    OF    LODOVICO    SFORZA    AND    BEATRICE    D'ESTE 
Certosa,  Pauia 


THE    UNIVERSITY    PRINTS 
BOSTON 


SOLARI.     SIXTEENTH    CENTURY 
LOMBARD   SCHOOL 


C  431 


BUST    OF    SCIPIO.     (Bas-relief) 
Louvre,   Paris 


HE    UNIVERSITY    PRINTS 
BOSTON 


SCHOOL    OF    LEONARDO    DA    VINCI 


C  432 


C  433 


BASE    OF    FLAG-STANDARD 
Piazza  S.  Marco,    Venice 


E    UNIVERSITY    PRINTS 
BOSTON 


LEOPARD!,     d.     1622 
VENETIAN    SCHOOL 


C  484 


TOMB    OF    DOGE    ANDREA    VENDRAMIN.     (Detail) 
SS.  Giovanni  e  Paolo,    Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


LEOPARDI.     d.     1622 
VENETIAN    SCHOOL 


C  486 


C436 


TOMB  OF  CARDINAL  ASCANIO  SFORZA 

S.  M.  del  Popolo,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    SANSOVINO.     1460-15 


C  437 


PRUDENCE.     (Detail  of  Tomb  of  Cardinal  Sforza) 
S.   M.  del  Popolo,  Rome 


HE    UNIVERSITY    PRINTS 
BOSTON 


ANDREA    SAN8OVINO.     1460—1629 


C  438 


MASQUE    OF    A    FAUN 
Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476-166* 


C  439 


C  440 


•ft 

: 


I 


MADONNA. 
Casa  Buonarottt,  Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


MICHELANGELO.     1475—1584 


C441 


ANGEL  WITH  CANDLESTICK 

Shrine  of  St.  Dominic.    S.  Domenlco,  Bologna 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.    1476-1564 


C  442 


MICHELANGELO.     1475-1564 


THE    UNIVERSITY    PRINTS 
BOSTON 


C  443 


KNEELING   CUPID 
Museum,  S,  Kensington,  London 


I"HE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.    1476—1564 


C  444 


PI  ETA 

5.  Peter's,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1475  —  1664 


C  446 


MADONNA 
Notre  Dame,  Bruges 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.    1476-1664 


C446 


MADONNA  (Medallion) 
Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475  —  1564 


C  447 


MADONNA.     (Medallion) 
Burlington  House,  London 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475-1564 


C  448 


MICHELANGELO-     1475—1564 


THE    UNIVERSITY    PRINTS 
BOSTON 


C  449 


HEAD    OF    DAVID 
Academy,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476-1664 


C  450 


TOMB    OF    POPE    JULIUS    II 
S.  Pietro  in  Vincoli,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     I475-I66-: 


MOSES   (Detail,  Tomb  of  Pope  Julius  II) 
5.  Pietro  in  Vincoll.  Rome 


MICHELANGELO.    1476  —  1664 


C  452 


THE  BOUND  SLAVE 
Louvre,  Paris 


THE   UNIVERSITY   PRINTS 
BOSTON 


MICHEL  ANGFL.P.     1475  —  1564 


C  453 


VICTORY 

Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1476—1664 


C  454 


C  455 


TOMB    OF    GIULIANO    DE'    MEDICI 
New  Sacristy,  S.  Lorenzo,  Florenct 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  466 


GIULIANO  DE'  MEDICI     (Detail,  Tomb) 
New  Sacristy,  S.  Lorenzo,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1476—1664 


C  457 


C  458 


If 

£  ?. 


3 
z  » 


C  459 


TOMB  OF  LORENZO  DE'  MEDICI 
New  Sacristy,  S.  Lorenzo,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1475-1564 


C  460 


LORENZO  DE'  MEDICI  (Detail,  Tomb) 
New  Sacristy,  S.  Lorenzo,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


MICHELANGELO.     1475  —  1564 


C  461 


TWILIGHT.     (Detail,   Tomb  of  Lorenzo  de'  Medici) 
New  Sacristy,  S.  Lorenzo,  Morenos 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  462 


MADONNA   AND   CHILD 
New  Sacristy,  S.  Lorenzo,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475—1564 


C  463 


BRUTUS 
Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


MICHELANGELO.     1475-1564 


C  464 


THE  DEPOSITION 

Cathedral,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


75  —  1564 


C  465 


<  c 

• 

Q  o 

tu  C 

Q  . 

Z  -S 

o  I 


C  466 


«**^ 


CHIMNEY    PIECE 
Bargello,   Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


ROVEZZANO.     1476—1656 
FLORENTINE    SCHOOL 


C  468 


C  469 


C  470 


C  471 


C  472 


BACCHUS 

Bargello,   Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


JACOPO    SANSOVINO.     1487—1670 
VENETIAN    SCHOOL 


C  473 


MERCURY 
Loggietta,  Campanile,   Venice 


JACOPO    8AN8OVINO.     1487     1670 
VENETIAN    SCHOOL 


C  474 


SACRISTY    DOOR 
S.  Marco,   Venice 


THE    UNIVERSITY    PRINTS 
BOSTON 


JACOPO    8ANSOVINO.     1487—1570 
VENETIAN    SCHOOL 


C  475 


C  476 


HERCULES    AND    CACUS 
Piazza  delta  Signoria,   Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


BANDINELLI.     1487— I559S 
FLORENTINE    SCHOOL 


C  477 


PROPHETS.     (Reliefs  from  Altar  Screen) 
Cathedral  Museum,  Florence 


THE    UNIVERSITY  PRINTS 
BOSTON 


BANDINELLI.     1487-1659 
FLORENTINE    SCHOOL 


C  478 


C  479 


O  o 

Q   S 

a  uj 

<   =0 

s 


a.  e 
o  § 
1 1 


U5 

Z 

N? 


00  K- 

tr  09 

uj  O 

>  CQ 


/I 


C  480 


C  481 


THE    UNIVERSITY    PRINTS 
BOSTON 


PERSEUS    WITH    THE    HEAD   OF    MEDUSA 
Loggia  del  Lanzl,  Florence 


CELLINI.     I50O-I572 


C  482 


DAN/E    WITH    THE    CHILD    PERSEUS 

Detail :   pedestal  of   Perseus  and    Medusa 

Loggia,  del  Lanzi,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


CELLINI.     1500—157! 


BUST    OF    COSIMO 
Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


CELLINI.     1500—1672 


C  484 


SILVER    PITCHER 

Pitti,   Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


SCHOOL    OF    BENVENUTO    CELLINI1 


C  486 


MERCURY 
Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIOVANNI    DA    BOLOGNA.    1524-1608 


C  486 


RAPE  OF  THE   SABINES 
Loggia  del  Lanzi,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


GIOVANNI    DA    BOLOGNA.     152-' 


C  487 


E   UNIVERSITY   PRINTS 
BOSTON 


BRONZE    DOORS 
Cathedral,  Pisa 


GIOVANNI    DA    BOLOGNA.     1524-1608 


488 


C  489 


BATHERS 
Bargello,  Florence 


THE    UNIVERSITY    PRINTS 
BOSTON 


GIOVANNI    DA    BOLOGNA.     I524-I6O8 


C  490 


HERCULES    AND    CENTAUR 
Loggia  del  Lanzi,  Florence 


THE    UNIVERSITY   PRINTS 
BOSTON 


GIOVANNI    DA    BOLOGNA.     1624-1608 


C  491 


"S 


r 


ST.    LONGINUS 
Sf.  Peter's,  Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


BERNINI.     1598—1680 


C  493 


)LLO    AND    DAPHNE 
Borgltese,   Rome 


BERNINI.     I598--I680 


CM-«J'  -J 

^^-fV*' 

^ 


C  494 


THE    UNIVERSITY    PRINTS 
BOSTON 


yOH^/ 

• 


BERNINI.     1598     1680 
I 


C  495 


BUST    OF    FRANCESCO    I    D'ESTE 
Qallery,   Modena 


THE    UNIVERSITY    PRINTS 
BOSTON 


BERNINI.     1508-1680 


C  496 


PIETA 
S.  Giovanni  in  Laterano,   Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


BERNINI?     1598—1680 


C  497 


HE  UNIVERSITY  PRINTS 
BOSTON 


VENUS 
Pitti,  Florence 


CANOVA.     1757-1822 


HERCULES    HURLING    LICH1AS    INTO    THE    SEA 
Torlonia,   Rome 


THE    UNIVERSITY    PRINTS 
BOSTON 


CANOVA.     1767—1822 


I 

C  499 


TOMB    OF    ARCHDUCHESS    MARIA    CHRISTINA 
Auguatinerhirche,    Vienna 


THE    UNIVERSITY    PRINTS 
BOSTON 


CANOVA.     1757-1822 


C  600 


Series  C 

Later  Italian  Art 


Painting 

LOMBARD  SCHOOL 
Leonardo  da  Vinci.     1452-1519 
C.  Order  by  Number,  Specifying  "  Series  G  " 

1  Angel:  detail  of  B  191  ...................  Academy,  Florence 

2  Madonna    and    Child:     detail    of    cartoon, 

Adoration  of  the  Magi  ....................  Uffizi,  Florence 

3  The  Last  Supper  .........  Refectory-,  S.  M.  delle  Grazie,  Milan 

4  Head  of  Christ:    detail  of  Last  Supper 

5  Group  of  Disciples:  right  end:  detail  of  3 

6  Group  of  Disciples:  right  center:  detail  of  3 

7  Group  of  Disciples:  left  center:  detail  of  3 

8  Group  of  Disciples:  left  end:  detail  of  3 

9  Head  of  Christ:   drawing  (questioned)  ...........  Brera,  Milan 

10  Mona  Lisa  ..................................  Louvre,  Paris 

11  Madonna,  with  St.  Anne:   cartoon.  .  Burlington  House,  London 

12  Virgin  of  the  Rocks  ...........................  Louvre,  Paris 

13  Leonardo  da  Vinci:  drawing  ............  Royal  Library,  Turin 

14  The  Annunciation  (attributed  ................  Louvre,  Paris 

15  John  the  Baptist  (questioned),  i  ...............  Louvre,  Paris 

id  Madonna,  Child,  and  St.  Anne  ................  Louvre,  Paris 

17  La  Belle  Ferroniere  (attributed)  ...............  Louvre,  Paris 

18  Bacchus  (questioned)  .........................  Louvre,  Paris 

19  Portrait  of  Isabella  d'Este:  cartoon  .............  Louvre,  Paris 

20  Study  for  head  of  Madonna,  16  ...........  Ambrosiana,  Milan 

21  Battle  of  Anghiari:  Engraving  after  copy  by  Rubens 

Louvre,  Paris 
xiii 


xiv  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  C  " 

Ambrogio  Preda  (de  Predis).     1460P-1515? 

22  A   Young   Princess    (Beatrice   d'Este?) :     at- 

tributed   Ambrosiana,  Milan 

23  Portrait  of  a  Young  Man  (?) Ambrosiana,  Milan 

24  Angel   playing   Lute National  Gallery,  London 

25  Portrait   of   Francesco   Brevio Poldi-Pezzoli,  Milan 

Andrea  Solario  (Andrea  da  Milano).     1460P-1520? 

26  St.  Catherine:    compartment  of  triptych,  Poldi-Pezzoli,  Milan 

27  The  Repose  in  Egypt Poldi-Pezzoli,  Milan 

28  Ecce  Homo Poldi-Pezzoli,  Milan 

Giovanni  Antonio  Bel  traffic  (Bol  traffic).     1467-1516 

29  Madonna  and  Child    Poldi-Pezzoli,  Milan 

30  Isabella  of  Aragon:  pastel Ambrosiana,  Milan 

31  Fanciful  Portrait  (attributed) Uffizi,  Florence 

Marco  d'Oggiono.     1470P-1530? 

32  Assumption  of  the  Virgin Brera,  Milan 

Bernardino  de'  Gonti.     fl.  1490-1522 

33  Madonna  and  Child    Poldi-Pezzoli,  Milan 

34  Madonna  enthroned,  Saints  and  Donors Brera,  Milan 

Giampietrino  (Giovanni  Pedrini).     fl.  1520-1540 

35  Magdalene Brera,  Milan 

Bernardino  Luini.     1475P-1533? 

36  Burial  of  St.  Catherine .  Brera,  Milan 

37  Marriage  of  the  Virgin Pilgrimage  Church,  Saronno 

38  Angel   presenting  Vials Pilgrimage  Church,  Saronno 

39  Adoration  of  the  Magi Pilgrimage  Church,  Saronno 

40  View  of  Interior,  Church  of  S.  Maurizio Milan 

41  Martyrdom   of   St.    Catherine S.  Maurizio,  Milan 

42  St.  Apollonia S.  Maurizio,  Milan 


Later  Italian  Art  xv 

C.     Order  by  Number,  Specifying  "  Series  C  " 

43  Ippolita  Sforza  with  SS.  Agnes,  Catherine  and 

Scholastica 3.    Maurizio,    Milan 

44  Madonna  of  the  Rose-trellis Brera,  Milanx 

45  Madonna  with  SS.  Anthony  and  Barbara Brera,  Milan 

46  St.  Anthony:  detail  of  45 

47  Madonna,  Child  and  St.  John S.  M.  degli  Angioli,  Lugano 

48  Tobias  and  the  Angel Poldi-Pezzoli,  Milan 

Gaudenzio  Ferrari.     1480P-1546 

49  The  Last  Supper S.  M.  della  Passione,  Milan 

50  The  Annunciation Kais.  Fried.  Museum,  Berlin 

51  Detail  of  Cupola Pilgrimage  Church,  Saronno 

Gesare  da  Sesto  (Cesare  Milanese).     1480P-1523? 

52  Madonna  and  Child Brera,  Milan 

LATE  SIENESE  SCHOOL 

II  Sodoma  (Gianantonio  Bazzi).     1477-1549 

53  Episode  from  the  life  of  St.  Benedict Monte  Oliveto 

54  Alexander  and   Roxana Farnesina,  Rome 

55  Madonna  and  Child Brera,  Milan 

56  Assumption  of  the  Virgin ....  Oratory  of  S.  Bernardino,  Siena 

57  Christ  bound  to  the  Column Academy,  Siena 

58  St.  Sebastian Uffizi,  Florence 

59  St.  Catherine  receiving  the  Stigmata S.  Domenico,  Siena 

60  Christ  in  Limbo Academy,  Siena 

Baldassare  Peruzzi.     1481-1536 

6 1  Sibyl  predicting  to  Augustus  the  coming  of 

Christ Church  of  Fontegiusta,  Siena 

Urbano  da  Gortona.     d.  1504 

62  The    Persian    Sibyl Pavement,  Cathedral,  Siena 

Domenico  Beccafumi  (Mecarino).     1486-1551 

63  Moses  striking  the  Rock Pavement,  Cathedral,  Siena 

64  St.  Catherine  receiving  the  Stigmata Academy,  Siena 


xvi  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  C  " 

FLORENTINE  SCHOOL 
Mariotto  Albertinelli.     1474-1515 

65     Madonna,    St.    Catherine   and    St.    Barbara 

(triptych) Poldi-Pezzoli,  Milan 

St.  Catherine:  detail  of  65 

Holy  Family Pitti,  Florence 

The  Visitation Uffizi,  Florence 

Fra  Bartolommeo.     1475-1517 

69  Nativity  and  Circumcision Uffizi,  Florence 

70  Holy  Family Corsini,  Rome 

71  Madonna  and  Child Seminario,  Venice 

72  Drawing  from  the  Last  Judgment Uffizi,  Florence 

73  The    Deposition Pitti,    Florence 

74  The    Eternal    Father,    SS.     Magdalen    and 

Catherine Gallery,  Lucca 

75  St.  Mark  Pitti,  Florence 

76  Madonna  enthroned Uffizi,  Florence 

77  Madonna  and  St.  Anne:  detail  of  76 

78  Angels  with  Musical  Instruments:  detail Pitti,  Florence 

79  Christ  at  Emmaus S.  Marco,  Florence 

80  Savonarola  as  St.  Peter  Martyr Academy,  Florence 

Franciabigio.     1482-1524 

81  Madonna  del  Pozzo  (attributed) Uffizi,  Florence 

Ridolfo  Ghirlandajo.     1483-1561 

82  Madonna  enthroned Yale  Art  Gallery,  New  Haven 

Andrea  del  Sarto.     1486-1531 

83  Birth  of  the  Virgin:    detail SS.  Annunziata,  Florence 

84  Adoration  of   Magi SS.  Annunziata,  Florence 

85  The  Annunciation   Pitti,  Florence 

86  Madonna  of  the  Harpies Uffizi,  Florence 

87  Madonna  and  Child:  detail  of  86 


Later  Italian  Art  xvii 

C.  Order  by  Number,  Specifying  "  Series  C  " 

88  Charity Louvre,  Paris 

89  Putti..  Academy,  Florence 

90  Pieta .  .  Imperial  Gallery,  Vienna 

91  Portrait  of  a  Sculptor National  Gallery,  London 

92  Decapitation  of  John  the  Baptist Scalzo,  Florence 

93  Assumption  of  the  Virgin Pitti,  Florence 

94  St.  Agnes Cathedral,  Pisa 

95  Madonna   del   Sacco SS.  Annunziata,  Florence 

96  The  Last  Supper S.  Salvi,  Florence 

97  Portrait  of  Andrea  del  Sarto Pitti,  Florence 

II  Rosso  (Giovambattista  di  Jacopo).     1494-1541 

98  Angel  playing  a  Lute Uffizi,  Florence 

Pontormo  (Jacopo  Garrucci).     1494-1557 

99  Portrait  of  Cosimo  de'  Medici Uffizi,  Florence 

Michelangelo  Buonarroti.     1475-1564 

(For  sculptures  by  this  artist  see  p.  66.) 

100  Madonna,  Child  and  Angels National  Gallery,  London 

101  The  Doni  Madonna Uffizi,  Florence 

102  The  Entombment National  Gallery,  London 

103  Battle  of  Pisa.     After  an  engraving Holkham  Hall 

104  View  of  Interior  of  Sistine  Chapel Vatican,  Rome 

105  Separation  of  Light  and  Darkness, 

Ceiling,  Sistine  Chapel,  Vatican,  Rome 

1 06  Creation  of  Sun  and  Moon Ceiling,  Sistine  Chapel 

107  Creation  of  Land  and  Water .Ceiling,  Sistine  Chapel 

108  Creation  of  Man Ceiling,  Sistine  Chapel 

109  The  Creator:  detail  of  108 
no    Adam:  detail  of  108 

1 1 1  Creation  of  Eve Ceiling,  Sistine  Chapel 

1 1 2  Temptation  and  Expulsion  from  Eden .  .  Ceiling,  Sistine  Chapel 

1 13  Sacrifice  of  Noah Ceiling,  Sistine  Chapel 

114  The  Deluge:  detail: Ceiling,  Sistine  Chapel 


xviii  Later  Italian  Art 

C.    Order  by  Number,  Specifying  "  Series  C  " 

115  Drunkenness  of  Noah Ceiling,  Sistine  Chapel 

116  Judith  with  the  Head  of  Holofernes.  .  .Ceiling,  Sistine  Chapel 

117  The  Prophet  Jonah Ceiling,  Sistine  Chapel 

118  The   Prophet  Jeremiah Ceiling,  Sistine  Chapel 

119  The  Prophet  Ezekiel Ceiling,  Sistine  Chapel 

120  The  Prophet  Joel Ceiling,  Sistine  Chapel 

121  The  Prophet  Zechariah .Ceiling,  Sistine  Chapel 

122  The  Prophet  Isaiah Ceiling,  Sistine  Chapel 

123  The  Prophet  Daniel Ceiling,  Sistine  Chapel 

124  Persian  Sibyl Ceiling,  Sistine  Chapel 

125  Erythrean.  Sibyl Ceiling,  Sistine  Chapel 

126  Delphic  Sibyl Ceiling,  Sistine  Chapel 

127  .  Cumsean  Sibyl Ceiling,  Sistine  Chapel 

128  Libyan  Sibyl Ceiling,  Sistine  Chapel 

129  Jesse Ceiling,  Sistine  Chapel 

130  Eleazer  and   Mathan West  wall,  Sistine  Chapel 

131  Decorative  figure Ceiling,  Sistine  Chapel 

132  Decorative  figure Ceiling,  Sistine  Chapel 

133  Decorative  figure Ceiling,  Sistine  Chapel 

134  The  Last  Judgment    East  wall,  Sistine  Chapel 

135  Christ,  the  Judge:  detail  of  134 

136  St.  Sebastian:  detail  of  134 

137  Exterior  of  Dome St.  Peter's,  Rome 

Daniele  da  Volterra.     1509-1566 

138  Descent   from   the   Cross S.  Trinita  de'  Monti,  Rome 

Marcello  Venusti.     1515-1585 

139  Christ  driving  the  Traders  from  the  Temple 

National  Gallery,  London 

RAPHAEL  AND  HIS  SCHOOL 
Timoteo  Viti.     1469P-1523 

140  Youthful  Jesus Martinengo  Coll.,  Brescia 

141  The  Annunciation Brera,  Milan 

142  Magdalen  in  the  Desert Gallery,  Bologna 


Later  Italian  Art  xix 

C.     Order  by  Number,  Specifying  "  Series  C  " 

Raphael  Sanzio.     1483-1520 

143  Solly  Madonna Kais.  Fried.  Museum,  Berlin 

144  Vision  of  a  Knight National  Gallery,  London 

145  St.  Sebastian Lochis  Collection,  Bergamo 

146  Coronation  of  the  Virgin Picture  Gallery,  Vatican,  Rome- 

147  Marriage  of  the  Virgin Brera,  Milan 

148  Group  of  heads:  detail  of  147 

149  Madonna  del  Granduca Pitti,  Florence 

150  The  Trinity  with  Saints  and  Angels S.  Severo,  Perugia 

151  Madonna  del  Cardellino:   detail Uffizi,  Florence 

152  Portrait  of  Angelo  Doni Pitti,  Florence 

153  Madonna  di  Casa  Tempi Alte  Pinakothek,  Munich 

154  Madonna  del  Cordero Prado,  Madrid 

155  Madonna  Ansidei National  Gallery,  London 

156  La  Belle  Jardiniere Louvre,  Paris 

157  The  Entombment Borghese,  Rome 

158  Madonna  del  Prato Imperial  Gallery,  Vienna 

159  View  of  Interior,  Camera  della  Segnatura Vatican,  Rome 

1 60  Dispute  of  the  Sacrament ..  Camera  della  Segnatura,  Vatican 

161  Christ:  detail  of  1 60 

162  Angels:  detail  of  160 

163  Prophets,  Martyrs  and  Saints:  detail  of  160 

164  Parnassus Camera  della  Segnatura,  Vatican 

165  Apollo:  detail  of  164 

166  Sappho:  detail  of  164 

167  School  of  Athens Camera  della  Segnatura,  Vatican 

168  Mathematicians:  detail  of  167 

169  Prudence,  Force  and  Moderation, 

Camera  della  Segnatura,  Vatican 

170  Judgment  of  Solomon, 

Ceiling,  Camera  della  Segnatura,  Vatican 

171  Theology:    medallion Camera  della  Segnatura,  Vatican 

172  Portrait  of  Pope  Julius  II Pitti,  Florence 

173  Vision  of  Ezekiel Pitti,  Florence 

174  Madonna  dell*   Impannata Pitti,  Florence 

175  Madonna  Garvagh National  Gallery,  London 


xx  Later  Italian  Art 

C.  Order  by  Number,  Specifying  "  Series  C  " 

176  Expulsion  of  Heliodorus Camera  d'  Eliodoro,  Vatican 

177  Miracle  of  Bolsena Camera  d'  Eliodoro,  Vatican 

178  Deliverance  of  Peter:  detail Camera  d' Eliodoro,  Vatican 

179  Attila  repulsed  from  Rome Camera  d'  Eliodoro,  Vatican 

180  The  Four  Sibyls S.  M.  della  Pace,  Rome 

181  Angels:  center,  detail  of  180 

182  Sibyls:  right  side,  detail  of  180 

183  Galatea Farnesina,  Rome 

184  Madonna  del  Pesce Prado,  Madrid 

185  Portrait  of  a  Cardinal Prado,  Madrid 

1 86  St.  Cecilia Gallery,  Bologna 

187  Lo  Spasimo Prado,  Madrid 

188  Madonna  della  Sedia Pitti,  Florence 

189  Christ's    Charge    to    Peter:      cartoon    for 

tapestry Museum,  South  Kensington,  London 

190  Miraculous  Draught  of  Fishes:   cartoon  for 

tapestry Museum,  South  Kensington,  London 

191  Psyche  offering  Vase  to  Venus Farnesina,  Rome 

192  Jupiter  consoling  Cupid:   drawing Louvre,  Paris 

193  Madonna  of  Francis  I Louvre,  Paris 

194  Donna  Velata Pitti,  Florence 

195  Portrait  of  Pope  Leo  X Pitti,  Florence 

196  Madonna  di  San  Sisto Gallery,  Dresden 

197  Madonna  and  Child:    detail  of   196 

198  Interior  View  of  Loggia Vatican,  Rome 

199  Abraham  and  the  Three  Angels Loggia,  Vatican,  Rome 

200  The  Transfiguration Picture  Gallery,  Vatican,  Rome 

20 1  Head  of  Christ :  detail  of  200 

Giulio  Romano.     1492P-1546 

202  Dance  of  Apollo  and  the  Muses Pitti,  Florence 

203  Madonna  della  Catina Gallery,  Dresden 

204  Detail  of  Vault Sala  dei  Giganti,  Palazzo  del  T.  Mantua 

205  Polyphemus Sala  de  Psiche,  Palazzo  del  T.  Mantua 

Innocenza  da  Imola.     1494-1550 

206  Madonna  and  Saints Colonna,  Rome 


Later  Italian  Art  xx; 

C.     Order  by  Number,  Specifying  "  Series  C  " 

Perino  del  Vaga.     1500-1547 

207  Archers Borghese,  Rome 

208  Justice Camera  di  Costantino,  Vatican,  Rome 

Francesco  Primaticcio.     1504-1570 

209  The  Concert Louvre,  Paris 

SCHOOLS  OF  NORTHERN  ITALY 

EMILIA 
Dosso  Dossi.     1479-1542 

210  Circe Borghese,  Rome 

211  Nymph  and  Satyr  (attributed) Pitti,  Florence 

Garofalo  (Benvenuti  da  Tisi).     1481-1559 

212  The  Deposition Borghese,  Rome 

Correggio  (Antonio  Allegri).     1494-1534 

213  Adoration  of  the  Magi Brera,  Milan 

214  Madonna,  Child  and  Angels Uffizi,  Florence 

215  Madonna  and  Child Castello,  Milan 

216  Madonna  della  Cesta National  Gallery,  London 

217  Madonna  of  St.  Francis Gallery,  Dresden 

218  Section  of  ceiling Convent  S.  Paolo,  Parma 

219  Diana Convent  S.  Paolo,  Parma 

220  Medallion Ceiling,  Convent  S.  Paolo,  Parma 

221  Medallion Ceiling,  Convent  S.  Paolo,  Parma 

222  Venus,  Mercury  and  Cupid National  Gallery,  London 

223  The  Saviour:  detail  (from  copy  by  Toschi), 

Cupola,  S.  Giovanni  Evangelista,  Parma 

224  St.  Thomas  and  St.  James  Minor, 

Cupola,  S.  Giovanni  Evangelista,  Parma 

225  St.  John  Evangelist  at  Patmos,  S.  Giovanni  Evangelista,  Parma 

226  Coronation  of  the  Virgin Library,  Parma 

227  Section  of  Cupola Cathedral,  Parma 

228  Balustrade  of  Cupola Cathedral,  Parma 


xxii  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  G  " 

229  Marriage  of  St.  Catherine Louvre,  Paris 

230  Madonna  of  St.  Sebastian Gallery,  Dresden 

231  Madonna  of  St.  Jerome Gallery,  Parma 

232  Madonna  della  Scodella Gallery,  Parma 

233  Adoration  of  the  Shepherds  (Holy  Night).  .  .Gallery,  Dresden 

234  Descent  from  the  Cross Gallery,  Parma 

235  Madonna  of  St.  George Gallery,  Dresden 

236  Cupids  sharpening  Arrows:  detail  of  Danae.  .  .  Borghese,  Rome 

237  Ganymede Imperial  Gallery,  Vienna 

238  Jupiter  and  lo Imperial  Gallery,  Vienna 

II  Parmigianino  (Francesco  Mazzola).      1504-1540 

^•-239     Madonna,  Child  and  Angels Pitti,  Florence 

240  Portrait  of  a  Woman National  Museum,  Naples 

VENICE 
Jacopo  de'  Barbari.     1450P-1515? 

241  Portrait  of  a  Youth  (attributed).  .  .  .Imperial  Gallery,  Vienna 

Giorgione  (Giorgio  Barbarelli).     1477P-1511 

»     242     Christ  bearing  the  Cross Fenway  Court,  Boston 

243  Stormy  Landscape  with  Soldier  and  Gipsy, 

Giovanelli  Palace,  Venice 

244  Judgment  of  Solomon Uffizi,  Florence 

245  Trial  of  Moses Uffizi,  Florence 

246  Portrait  of  Young  Man Kais.  Fried.  Museum,  Berlin 

247  Madonna  enthroned,  with  SS.  Francis  and       * 

Liberale Cathedral,  Castelfranco 

248  Madonna  and  Child:    detail  of  247 

249  Apollo  and  Daphne:   cassone  cover Seminario,  Venice 

250  Knight  of  Malta Uffizi,  Florence 

251  Sleeping  Venus Gallery,  Dresden 

252  Head  of  Sleeping  Venus:  detail  of  251 

253  The  Concert Louvre,  Paris 

254  Portrait  of  a  Man Gallery,  Budapest 


Later  Italian  Art 


xxin 


C.  Order  by  Number,  Specifying  "  Series  C  " 

255  The  Three  Philosophers Imperial  Gallery,  Vienna 

256  Shepherd  Boy  (attributed) Hampton  Court,  England 

257  Madonna  with  SS.  Anthony  and  Roch Prado,  Madrid 

258  Holy  Family  with  St.  Sebastian  (questioned) ....  Louvre,  Paris 

Titian  (Tiziano  Vecelli).     1477-1576 

259  Madonnaand  Child  (Gipsy  Madonna),  Imperial  Gallery,  Vienna 

260  Madonna  of  the  Cherries Imperial  Gallery,  Vienna 

261  Madonna  with  Four  Saints Gallery,  Dresden 

262  The  Concert  (questioned) Pitti,  Florence 

263  Head  of  Monk:  detail  of  262 

264  Artless  and  Sated  Love Borghese,  Rome 

265  Artless  Love:  detail  of  264 

266  The  Man  with  the  Glove Louvre,  Paris 

267  St.  Mark  enthroned,  with  Saints. .  .S.  M.  della  Salute,  Venice 

268  Madonna  with  St.  Bridget Prado,  Madrid 

269  The  Tribute  Money Gallery,  Dresden 

270  Assumption  of  the  Virgin Academy,  Venice 

271  The  Virgin:  detail  of  270 

272  Angel:  detail  of  270 

273  Madonna  with  St.  Anthony Uffizi,  Florence 

274  Altarpiece:  The  Resurrection  . .  .SS.  Nazzaro  e  Celso,  Brescia 

275  Three  Saints:  detail Louvre,  Paris 

276  Bacchus  and  Ariadne National  Gallery,  London 

277  Alfonso  d'Este  and  Laura  Dianti Louvre,  Paris 

278  Flora Uffizi,  Florence 

279  The  Entombment Louvre,  Paris 

280  Portrait  of  Jacopo  Soranzo Academy,  Venice 

281  Madonna  of  the  Pesaro  family Fran,  Venice 

282  Madonna  and  Child:  detail  of  281 

283  Donor:  detail  of  281 

284  St.  Christopher  (fresco) Ducal  Palace,  Venice 

285  Death  of  St.  Peter  Martyr  (copy),  SS.  Giovanni  e  Paolo,  Venice 

286  Portrait  of  Aretino Pitti,  Florence 

287  St.  John  the  Almsgiver,  ..S.  Giovanni  Elemosinario,  Venire 

288  Madonna  with  St.  Catherine National  Gallery,  London 


xxiv  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  G  " 

289  La  Bella  (Duchess  of  Urbino?) Pitti,  Florence 

290  The  Physician  Parma Imperial  Gallery,  Vienna 

291  Presentation  of  the  Virgin Academy,  Venice 

292  Group  of  Witnesses:    detail  of  291 

293  Howard,  Duke  of  Norfolk .  .Pitti,  Florence 

294  Portrait  of  Titian Kais.  Fried.  Museum,  Berlin 

295  Pope  Paul  III National  Museum,  Naples 

296  Lavinia  bearing  Salver  of  Fruit.  Kais.  Fried.  Museum,  Berlin 

297  The  Great  Ecce  Homo Imperial  Gallery,  Vienna 

298  Charles  V  at  Miihlberg Prado,  Madrid 

299  Danae Imperial  Gallery,  Vienna 

300  Christ  crowned  with  Thorns Louvre,  Paris 

301  The  Deposition Academy,   Venice 

Palma  Vecchio  (Jacopo  Palma).     1480P-1528 

302  St.  Barbara S.  M.  Formosa,  Venice 

303  Madonna  enthroned S.  Stefano,  Vicenza 

304  Three  Sisters Gallery,  Dresden 

305  Jacob  and  Rachael Gallery,  Dresden 

306  Santa  Conversazione Academy,  Venice 

307  Portrait  of  a  Young  Lady Imperial  Gallery,  Vienna 

308  Ariosto  (questioned) National  Gallery,  London 

Giovanni  Antonio  da  Pordenone.     1483-1538 

309  S.  Lorenzo  Giustiniani,  with  other  Saints.  .  .  .Academy,  Venice 

Sebastiano  del  Piombo.     1485-1547 

310  S.  Chrysostom  with  Saints S.  Giov.  Crisostomo,  Venice 

31 1  The  Visitation Academy,  Venice 

312  La  Fornarina Uffizi,  Florence 

313  Martyrdom  of  St.  Agatha Pitti,  Florence 

314  Raising  of  Lazarus National  Gallery,  London 

315  Portrait  of  a  Woman Kais.  Fried.  Museum,  Berlin 

316  Portrait  of  a  Man Uffizi,  Florence 

Francesco  Torbido.     1486-1536 

317  Young  Man  with  a  Rose Alte  Pinakothek,  Munich 


Later  Italian  Art  xxv 

C.     Order  by  Number,  Specifying  "  Series  C  " 
Paris  Bordone.     1500-1570 

318  Fisherman   presenting   St.    Mark's   Ring   to 

Doge  Gradenigo Academy,  Venice 

319  Portrait  of  a  Lady  of  the  Brignole  family, 

National  Gallery,  London 

Bassano  (Jacopo  da  Ponte).     1510-1592 

320  The  Shepherds Academy,  Venice 

321  Repose  in  Egypt Ambrosiana,   Milan 

Tintoretto  (Jacopo  Robusti).     1518-1594 

322  Adam  and  Eve Academy,  Venice 

—323     Miracle  of  the  Slave Academy,  Venice 

324  Finding  the  Body  of  St.  Mark Brera,  Milan 

— 325  The  Marriage  at  Cana S.  M.  della  Salute,  Venice 

326  The  Annunciation:    detail S.  Rocco,  Venice 

327  Flight  into  Egypt S.  Rocco,  Venice  - 

4*^328  The  Last  Supper:  detail S.  Rocco,  Venice 

329  The  Crucifixion S.  Rocco,  Venice 

330  Detail  of  329,  central  group 

331  Christ  before  Pilate S.  Rocco,  Venice 

^/$i>2  Presentation  of  the  Virgin Madonna  dell'  Orto,  Venice 

333  The  Deposition Academy,  Venice 

334  Bacchus  and  Ariadne Ducal  Palace,  Venice 

335  Marriage  of  St.  Catherine Ducal  Palace,  Venice 

336  The  Forge  of  Vulcan Ducal  Palace,  Venice 

337  Portrait  of  a  Procurator Uffizi,  Florence 

Palma  Giovane  (Giacomo  Palma).     1544-1628 

338  Allegory:   League  of  Cambrai Ducal  Palace,  Venice 

VERONA 
Bonifazio  Veronese  I.     1490P-1540 

339  Parable  of  the  Rich  Man Academy,  Venice 

340  Lazarus:  detail  of  339 

341  The  Judgment  of  Solomon  Academy,  Venice 


xxvi  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  G  " 
Bonifazio  Veronese  II.     d.  1553 

342  Holy  Family Louvre,  Paris 

Bonifazio  (III.)  Veneziano.     b.  1525 

343  SS.   Bernarc'  and  Sebastian Academy,  Venice 

Paul  \    ronese  (Paolo  Caliari).     1528-1588 

344  St.  Gregory     nd  St.  James:    compartment 

of  triptych   Brera,  Milan 

345  Coronation      f   Esther Ceiling,  S.  Sebastiano,  Venice 

346  The  Marriagt  at  Cana Louvre,  Paris 

347  Feast  at  the  House  of  Levi Academy,  Venice 

348  Detail  of  347 

349  Head   of   Padre   Servito   Grano:    detail  of 

Feast  of  St.  Gregory Monte  Berico,  Vicenza 

350  Adoration   of   the  Shepherds.  .S.  Giuseppe  di  Castello,  Venice 

351  St.  Helena  dreaming  of  the  Cross.  .  .National  Gallery,  London 

352  Finding  of  Moses Prado,  Madrid 

353  St.    Anthony    Abbot    enthroned    with    SS. 

Cornelius  and  Cyprian Brera,  Milan 

354  Alexander  and  the  Family  of  Darius,  National  Gallery,  London 

355  Angel:    detail  of  Annunciation Academy,  Venice 

356  Marriage  of  St.   Catherine S.  Caterina,  Venice 

357  Rape  of  Europa Anti-Collegio,  Ducal  Palace,  Venice 

358  Industry Sala  del  Collegio,   Ducal  Palace,  Venice 

359  Medallion Ceiling,  Ducal  Palace,  Venice 

BERGAMO  AND  BRESCIA 
Lorenzo  Lotto.     1480P-1556? 

360  Madonna  with  Saints S.  Bartolommeo,  Bergamo 

361  The  Brothers  della  Torre National  Gallery,  London 

362  Portrait  of  a  Youth Castello,  Milan 

363  Adoration  of  the  Shepherds Martinengo  Coll.,  Brescia 

364  Portrait  of  Old  Man Brera,  Milan 

365  Donna  Laura  da  Pola  (?) Brera,  Milan 

366  Three  Ages  of  Man  (questioned) Pitti,  Florence 


Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  C  " 

Cariani  (Giovanni  de'  Busi).     1480-1544 

367  Portrait  of  a  Man Alte  Pinakothek,  Munich 

Girolamo  Romanino.     1485P-1566? 

368  Madonna  enthroned,  with  Saints Gallery,  Padua 

369  Altarpiece:    The  Nativity Natij/al  Gallery,  London 

370  Supper  at  Emmaus Marti     ngo  Coll.,  Brescia 

•  , 

Moretto  da  Brescia.     1498-1  55 

|D 

371  Madonna  in  Glory Martuengo  Coll.,  Brescia 

372  St.  Justina Imperial  Gallery,  Vienna 

373  S .  Niccolo  da  Ban  presenting  Children  to  the 

Virgin Martinengo  Coll.,  Brescia 

374  Madonna  and  Child:  detail  of  373 

375  Supper  at  Emmaus Martinengo  Coll.,  Brescia 

376  The  Annunciation Martinengo  Coll.,  Brescia 

377  Count  Sciarra  Martinengo  Cesaresco, 

National  tiaMery,  London 

Giovanni  Batista  Moroni.     1525P-1578 

378  The  Tailor National  Gallery,  London 

379  Portrait  of  a  Lawyer National  Gallery,  London 

380  Portrait  of  Antonio  Navigero Brera,  Milan 

381  Portrait  of  a  Man National  Gallery,  London 

LATE    SIXTEENTH    AND    SEVENTEENTH    CENTURY 
PAINTING 

Bronzino  (Angiolo  di  Cosimo).     1502-1572 

382  Christ  in  Limbo Uffizi,  Florence 

383  Portrait  of  Lucrezia  Panciatichi Uffizi,  Florence 

Giorgio  Vasari.     1512-1574 

384  Lorenzo  the  Magnificent Uffizi,  Florence 


xxvili  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  G  " 
Federigo  Baroccio.     1528-1612 

385  Christ  appearing  to  Mary Uffizi,  Florence 

386  Madonna  del  Popolo Uffizi,  Florence 

Ludovico  Garracci.     1555-1619 

387  Madonna,  Angels  and  Saints Gallery,  Bologna 

Agostino  Garracci.     1558-1601 

388  Communion  of  St.  Jerome Gallery,  Bologna 

Annibale  Garracci.     1560-1609 

"^389     The  Virgin  of  Silence Louvre,  Paris 

390     A  Bacchante Uffizi,  Florence 

Caravaggio    (Michael   Angelo   Amerighi),      1569-1609 

"vl 

^39 1     The  Card  Players Gallery,  Dresden 

'392     The  Entombment Picture  Gallery,  Vatican,  Rome 

,93     Death  of  the  Virgin Louvre,  Paris 

Guido  Reni.     1575-1642 

394  St.  Peter  and  St.  Paul Brera,  Milan 

395  Dejaniraand  the  Centaur  Nessus Louvre,  Paris 

396  Apollo  and  the  Hours  (Aurora) Casino,  Rospigliosi,  Rome 

397  The  Archangel  Michael Capuchin  Church,  Rome 

398  Venus  and  Cupid Gallery,  Dresden 

Gristofano  Allori.     1577-1621 

399  Judith  with  the  Head  of  Holofernes Pitti,  Florence 

Domenichino  (Domenico  Zampieri).     1581-1641 

400  Last  Communion  qf  St.  Jerome Gallery,  Vatican,  Rome 

401  Head  of  Acolyte:  detail  of  400 

402  Ascension  of  St.  Paul Louvre,  Paris 

403  Two  Heads:  detail Monastery,  Grotta  Ferrala 

,404    St.  Cecilia Louvre,  Paris 


Later  Italian  Art  xxix 

C.     Order  by  Number,  Specifying  "  Series  C  " 
Francesco  Albano.     1578-1660 

405  Dance  of  Little  Loves Brera,  Milan 

Guercino  (Giov.  Francesco  Barbieri).     1591-1666 

406  Vision  of  St.  Jerome Louvre,  Paris 

407  The  V7irgin  appearing  to  St.  Bruno.  . .' Gallery,  Bologna 

408  Abraham  and  Hagar Brera,  Milan 

409  The  Virgin:   detail  of  Annunciation Gallery,  Forli 

Sassoferrato  (Giov.  Battista  Salvi).     1605-1685 

410  Madonna  and  Child Borghese,  Rome 

Carlo  Dolce.     1616-1686 

41 1  St.  Cecilia Gallery,  Dresden 

412  St.  Casimir Pitti,  Florence 

Padovanino  (Alessandro   Varotari).      1590-1650 

413  The  Marriage  at  Cana Academy,  Venice 

Salvator  Rosa.     1615-1673 

414  Landscape:  the  Bridge Pitti,  Florence 

415  The  Conspiracy  of  Catiline Pitti,  Florence 

Luca  Giordano.     1632-1705 

416  Neptune  and  Amphitrite Riccardi  Palace,  Florence 

417  The  Golden  Age Museum,  Boston 

Vittore  Ghislandi.     b.  1655 

418  A  Youthful  Artist Carrara  Coll.,  Bergamo 

Gian  Battista  Tiepolo.     1692-1770 

419  Christ's  Journey  to  Calvary:   detail S.  Alvise,  Venice 

420  The  Last  Supper Louvre,  Paris 

421  Madonna  of  the  Rosary Poldi-Pezzoli,  Mi  Lin 

422  Neptune  and  Venice Ducal  Palace,  Venice 


xxx  Later  Italian  Art 

G.    Order  by  Number,  Specifying  "  Series  C  " 

Ganaletto  (Antonio  Canale).     1697-1768 

423  View  in  Venice Academy,  Venice 

Sculpture 

The  Certosa  of  Pavia 

424  General  View 

425  Detail  of  Facade Certosa,  Pavia 

426  Detail  of  Principal  Portal Certosa,  Pavia 

427  Door  of  Sacristy Certosa,  Pavia 

428  Pieta  and  Children  in  Adoration .  .  .  High  Altar,  Certosa,  Pavia 

429  Tomb  of  Galeazzo  Visconti Certosa,  Pavia 

430  Tomb  of  Lodovico  Sforza  and  Beatrice  d'Este.  .  Certosa,  Pavia 

School  of  Leonardo  da  Vinci 

431  Bust  of  Scipio:  bas-relief Louvre,  Paris 

Pietro  Lombardi.     d.  1511? 

432  Tomb  of  Cardinal  Zeno S.  Marco,  Venice 

Alessandro  Leopardi.     d.  1522 

433  Base  of  flag-standard Piazza  S.  Marco,  Venice 

434  Tomb  of  Doge  Andrea  Vendramin:    detail, 

SS.  Giovanni  e  Paolo,  Venice 

Andrea  Sansovino.     1460-1529 

435  Baptism  of  Christ Baptistery,  Florence 

436  Tomb  of  Cardinal  Ascanio  Sforza.  .  .S.  M.  del  Popolo,  Rome 

437  Prudence :  detail  of  436 

Michelangelo  Buonarroti.     1475-1564 

(For  paintings  by  this  artist  see  p.  53) 

438  Mask  of  a  Faun  (?) Bargello,  Florence 

439  Combat  of  Centaurs  with  Lapiths,  Casa  Buonarroti,  Florence 

440  Madonna Casa  Buonarroti,  Florence 


Later  Italian  Art  xxxi 

C.    Order  by  Number,  Specifying  "  Series  G  " 

441  Angel  with  Candlestick, 

Shrine  of  St.  Dominic,  S.  Domenico,  Bologna 

442  Drunken  Bacchus " Bargello,  Florence 

443  Kneeling  Cupid Museum,  South  Kensington,  London 

444  Pieta St.  Peter's,  Rome 

445  Madonna Notre  Dame,  Bruges 

446  Madonna:    medallion Bargello,  Florence 

447  Madonna:   medallion Burlington  House,  London 

448  David Academy,  Florence 

449  Head  of  David:    detail  of  448 

4.50  Tomb  of  Pope  Julius  II S.  Pietro  in  Vincoli,  Rome 

451  Moses:  detail  of  450 

452  Bound  Slave Louvre,  Paris 

453  Victory Bargello,  Florence 

454  View  of  Interior New  Sacristy,  S.  Lorenzo,  Florence 

455  Tomb  of  Giuliano  de'  Medici, 

New  Sacristy,  S.  Lorenzo,  Florence 

456  Giuliano  de'  Medici:  detail  of  455 

457  Night:  detail  of  455 

458  Head  of  Night:  detail  of  457 

459  Tomb  of  Lorenzo  de'  Medici, 

New  Sacristy,  S.  Lorenzo,  Florence 

460  Lorenzo  de'  Medici,  detail  of  459 

461  Twilight:  detail  of  459 

462  Madonna New  Sacristy,  S.  Lorenzo,  Florence 

463  Bust  of  Brutus Bargello,  Florence 

464  The  Deposition Cathedral,  Florence 

465  The  Wounded  Adonis:   (questioned) Bargello,  Florence 

Benedetto  Rovezzano.     1475-1556 

466  St.  Giovanni  Gualberto  expelling  a  Demon .  .  Bargello,  Florence 

467  Chimney  Piece Bargello,  Florence 

Antonio  Begarelli.     1479-1565 

468  The  Lamentation S.  Pietro,  Modena 


\ 

xxxii  Later  Italian  Art 

C.     Order  by  Number,  Specifying  "  Series  C  " 

Bambaja  (Agostino  Busti).     1480-1548 

469  Tomb  of  Gaston  de  Foix:  detail Castello,  Milan 

II  Tribolo  (Niccolo  da  Raffaello  Braccini).     1485-1550 

470  Assumption  of  the  Virgin S.  Petronio,  Bologna 

Jacopo  Sansovino  (Jacopo  Tatti).     1487-1570 

47  r  Loggietta Campanile,  Venice 

472  Bacchus Bargello,   Florence 

473  Mercury Loggietta,  Campanile,  Venice 

474  Sacristy  Door S.  Marco,  Venice 

475  Miracle  of  St.  Anthony S.  Antonio,  Padua 

Baccio  Bandinelli.     1487-1559 

476  Hercules  and  Cacus Piazza  della  Signoria,  Florence 

477  Prophets:  Reliefs  from  Altar  Screen, 

Cathedral  Museum,  Florence 

Giovan'  Angelo  Montorsoli.     1500-1563 

4780  St.  Cosimo New  Sacristy,  S.  Lorenzo,  Florence 

Raffaello  da  Montelupo.     1505-1566 

4786  St.  Damian New  Sacristy,  S.  Lorenzo,  Florence 

Francesco  di  San  Gallo.     1493-1570 

479  Tomb  of  Bishop  Leonardo   Buonfede.  .Certosa  di  Val  d'Ema 

Benvenuto  Cellini.     1500-1572 

480  Nymph  of  Fontainebleau Louvre,  Paris 

1  Perseus  and  Medusa Loggia  dei  Lanzi,  Florence 

2  Danae  with  the  Child  Perseus:  detail,  pedestal  of  481 

483  Bust  of  Cosimo  I Bargello,  Florence 

484  Silver  Pitcher.     (School  of  Cellini) Pitti,  Florence 


Later  Italian  Art  xxxiii 

C.     Order  by  Number,  Specifying  "  Series  G  " 
Giovanni  da  Bologna.     1524-1608 

485  Mercury Bargello,  Florence 

486  Rape  of  the  Sabines Loggia  dei  Lanzi,  Fbrence 

487  Bronze  Doors Cathedral,  Pisa 

488  Presentation  of  Jesus:  panel,  detail  of  487 

489  The  Bathers Bargello,  Florence 

490  Hercules  and  Centaur Loggia  dei  Lanzi,  Florence 

Stefano  Maderna.     1571-1636 

491  St.  Cecilia S.  Cecilia  in  Trastevere,  Rome 

Lorenzo  Bernini.     1598-1680 

492  St.  Longinus St.  Peter's,  Rome 

493  Apollo  and  Daphne Borghese,  Rome 

494  David Borghese,  Rome 

495  Bust  of  Francesco  d'Este  I Gallery,  Modena 

496  Pieta  (Bernini  or  pupil) S.  Giov.  in  Laterano,  Rome 

Antonio  Canova.     1757-1822 

497  Venus Pitti,  Florence 

498  Hercules  hurling  Lichias  into  the  sea Torlonia,  Rome 

499  Tomb  of  Archduchess  Maria  Christina, 

Augustinerkirche,  Vienna 

500  Detail  of  Canova's  Tomb Frari,  Venice 


flnfcei  of  places. 


BERGAMO. 

Gallery.    Ghislandi,  418;  Raphael,  145. 

S.  Barlolommeo.     Lotto,  360. 
BERLIN. 

Kaiser  Friedrich  Museum.    Ferrari,  50; 
Giorgione,  246;  Raphael,  143;  Sebas- 
tiano  del  Piombo,  315;  Titian,  294, 
296. 
BOLOGNA. 

Gallery.  Carracci,  A.,  388;  L,  387; 
Guercino,  407;  Raphael,  186;  Viti,  142. 

5.  Domenico.     Michelangelo,  441. 

5.  Petronio.     Tribolo,  470. 
BOSTON. 

Fenway  Court.     Giorgione,  242. 

Museum.     Giordano,  417. 
BRESCIA. 

Martinengo  Collection.  Lotto,  363; 
Moretto,  371,  373,  374,  375,  376; 
Romanino,  370;  Viti,  140. 

55.  Nazzaro  e  Celso.    Titian,  274. 
BRUGES. 

Notre  Dame.    Michelangelo,  445. 
BUDAPESTH. 

Gallery.    Giorgione,  254. 
CASTELFRANCO. 

Cathedral.    Giorgione,  247,  248. 
DRESDEN. 

Gallery.  Caravaggio,  391;  Correggio, 
217,  230,  233,  235;  Dolce,  411;  Gior- 
gione, 251,  252;  Giulio  Romano,  203; 
Palma  Vecchio,  304,  305;  Raphael, 
196,  197;  Reni,  411;  Titian,  261,  269. 
FLORENCE. 

Academy.  Andrea  del  Sarto,  89;  Fra 
Bartolommeo,  80;  Leonardo  da  Vinci, 
1;  Michelangelo,  448,  449. 

55.  Annunziata.  Andrea  del  Sarto,  83, 
84,  95. 

Baptistery.    Sansovino,  A.,  435. 

Bargello.  Cellini,  483;  Giov.  da  Bologna, 
485,  489;  Michelangelo,  438,  442,  446, 
453,  463,  465;  Rovezzano,  466,  467; 
Sansovino,  J.,  472. 

Casa  Buonarroti.  Michelangelo,  439, 
440. 

Cathedral.     Michelangelo,  464. 

Cathedral  Museum.    Bandinelli,  477. 

Loggia  dei  Lanti.  Cellini,  481,  482; 
Giov.  da  Bologna,  486,  490. 


5.  Lorenzo,  New  Sacristy.  Michelangelo, 
454-462;  Montelupo,  478b;  Montor- 
soli,  478a. 

5.  Marco.    Fra  Bartolommeo,  79. 

Piazza  della  Signoria.     Bandinelli,  476. 

Pilti.  Albertinelli,  67;  Allori,  399; 
Andrea  del  Sarto,  85,  93,  97;  Bartol- 
ommeo, Fra,  73,  75,  78;  Canova,  497; 
Dolce,  412;  Dossi,  211;  Giulio  Ro- 
mano, 202;  Lotto,  366;  Parmigianino, 
239;  Raphael,  149,  152,  172,  173,  174, 
188,  194,  195;  Rosa,  414,  415;  Sebas- 
tiano  del  Piombo,  313;  Titian,  262, 
263,  286,  289,  293. 

Pilti  Palace.    Cellini,  484. 

Riccardi  Palace.    Giordano,  416. 

5.  Sah-i.    Andrea  del  Sarto,  96. 

Scalzo.    Andrea  del  Sarto,  92. 

Uffizi.  Albertinelli,  68;  Andrea  del 
Sarto,  86,  87;  Baroccio,  385,  386; 
Bartolommeo,  Fra,  69,  72,  76,  77; 
Beltraffio,  31;  Bronzino,  382,  383; 
Carracci,  An.,  390;  Correggio,  214; 
Franciabigio,  81;  Giorgione,  244,  245, 
250;  Leonardo  da  Vinci,  2;  Michel- 
angelo, 101;  Pontormo,  99;  Raphael, 
151;  Rosso,  98;  Sebastiano  del  Piombo, 
312,  316;  Sodoma,  58;  Tintoretto,  337; 
Titian,  273,  278;  Vasari,  384. 

FORLI. 

Gallery.     Guercino,  409. 
GROTTA    FERRATA     Monastery.    Domeni- 

chino,  403. 

HAMPTON  COURT.    Giorgione,  256. 
HOLKHAM  HALL.    Michelangelo,  103. 
LONDON. 
Burlington  House.    Leonardo  da  Vinci, 

11;  Michelangelo,  447. 
National  Gallery.  Andrea  del  Sarto,  91; 
Bordone,  319;  Correggio,  216,  222; 
Lotto,  361;  Michelangelo,  100,  102; 
Moretto,  377;  Moroni,  378,  379,  381; 
Palma  Vecchio,  308;  Preda,  24; 
Raphael,  144,  155,  175;  Romanino, 
369;  Sebastiano  del  Piombo,  314; 
Titian,  276,  288;  Veronese,  351,  354; 
Venusti,  139. 

South  Kensington  Museum.  Michel- 
angelo, 443;  Raphael,  189,  190. 


INDEX  OF  PLACES 


xxxv 


LUCCA. 

Gallery.    Fra  Bartolommeo,  74. 
LUGANO. 

5.  M.  degli  A  ngioli.    Luini,  47. 
MADRID. 

Prado.     Giorgione,  257;  Raphael,   154, 
184,     185,     187;    Titian,    268,    298; 
Veronese,  352. 
MANTUA. 

Palazzo  del  T.    Giulio  Romano,  204,  205. 
MILAN. 

Ambrosiana.  Bassano,  321;  Beltraffio, 
30;  Leonardo  da  Vinci,  20;  Preda,  22, 
23. 

Brera.  Albano,  405;  Bernardino  dei 
Conti,  34;  Cesare  da  Sesto,  52;  Cor- 
reggio, 213;  Giampietrino,  35;  Guer- 
cino,  408;  Leonardo  da  Vinci,  9; 
Lotto,  364,  365;  Luini,  36,  44,  45,  46; 
Moroni,  380;  Oggiono,  32;  Raphael, 
147,  148;  Reni,  394;  Sodoma,  55; 
Tintoretto,  324;  Veronese,  344,  353; 
Viti  141. 

Castetto.  Bambaja,  469;  Correggio,  215; 
Lotto,  362. 

5.  M.  delle  Grazie.  Leonardo  da  Vinci, 
3-8. 

5.  M.  della  Passione.    Ferrari,  49. 

5.  Maurizio.    Luini,  40-43. 

Poldi-Pezzoli.  Albertinelli,  65,  66;  Bel- 
traffio, 29;  Bernardino  dei  Conti,  33; 
Luini,  48;  Preda,  25;  Solario,  26-28; 
Tiepolo,  421. 

MODENA. 

Gallery.    Bernini,  495. 
5.  Pietro.    Begarelli,  468. 
MONTE  OLIVETO. 

Sodoma,  53. 
MUNICH. 
Alte  Pinakothek.    Cariani,  367;  Raphael, 

153;  Torbido,  317. 
NAPLES. 

Museum.      Parmigianino,    240;    Titian, 

295. 
NEW  HAVEN. 

Yale  Art  School.    Ghirlandajo,  R.,  82. 
PADUA. 

S.  Antonio.    Sanso vino,  J.,  475. 
Gallery.    Romanino,  368. 
PARIS. 

Louire.  Andrea  del  Sartp,  88;  Boni- 
fa/.io  II,  342;  Caravaggio,  393;  Car- 
rani,  An.,  389;  Cellini,  480;  Correggio, 
229;  Domenichino,  402,  404;  Gior- 
gione, 253,  258;  Guercino,  406;  Leo- 
nardo da  Vinci,  10.  12,  14-19,  21; 
School  of,  431;  Michelangelo,  462; 
Primaticcio,  209;  Raphael,  166,  192, 
193;  Reni,  395;  Tiepolo,  420;  Titian, 
266,  276,  $77,  279,  300;  Veronese,  346. 


PARMA. 

Cathedral.    Correggio,  227,  228. 
Gallery.    Correggw,  231,  232,  234. 
S.  Gim:  Ei-angelista.     Correggio,  223- 

Library.    Correggio,  226. 

5.  Paolo.    Correggio,  218,  221. 
I'AVIA. 

Certosa.    424-430. 
PERUGIA. 

5.  Severe.    Raphael,  150. 
PISA. 

Cathedral.    Andrea  del  Sarto,  94;  Giov. 

da  Bologna,  487. 
ROME.    [CHURCHES.] 

Capuchin  Church.    Reni,  397. 

S.  Cecilia  in  Traslevere.    Maderna,  491. 

S.  Giov.  in  Laterano,  Bernini,  496. 

S.  M.  della  Pace.    Raphael,  180-182. 

5.  M.  del  Popolo.     Sansovino,  A.,  436, 

SI.    Peter's.      Michelangelo,    137,    444; 

Bernini,  492. 
S.  Pietro  in  Vincoli.    Michelangelo,  450, 

451. 

5.  Trinit^  de'  Monti.    Volterra,  138. 
ROME.    [PALACES.^ 

Borghese.    Bernini,  493,  494;  Correggio, 

236;     Dossi,     210;     Garofalo,     212; 

Perino  del  Vaga,  207;  Raphael,  157; 

Sassoferrato,  410;  Titian,  264,  265. 
Colonna.     Imola,  206. 
Corsini.     Fra  Bartolommeo,  70. 
Farnesina.    Raphael,  183,  191;  Sodoma, 

54. 

Rospigliosi.  Reni,  396. 
Tononia.  Canova,  498. 
Vatican;  Gallery.  Caravaggio,  392; 

Domenichino,  400,  401;  Raphael,  146, 

200. 

—Loggia.     Raphael,  198,  199. 
— Sisttne Chapel.  Michelangelo,  104-136. 
— Stanze.  Perinodel  Vaga,  208;  Raphael, 

159-171;  176-179. 
SARONNO. 

Pilgrimage  Church.    Ferrari,  51;  Luini, 

37-39. 

SIENA. 

Academy.    Beccafumi,  64;  Sodoma,  57, 

60. 

S.  Bernardino.    Sodoma,  56. 
Cathedral.    Beccafumi,  63;  L'rbano,  62. 
S.  Domenico.    Sodoma,  59. 
Fontegiusta.    Peruzzi,  61. 

TURIN. 
Library.    Leonardo  da  Vimi,  13. 

VAL  D'  EMA. 
Ctrtota,    San  Gallo,  F.,  470. 


XXX  VI 


LATER  ITALIAN  ART 


VENICE. 

Academy.  Bassano,  320;  Bonifazio  I, 
339-341;  Bonifazio  III,  343;  Bordone, 
318;  Canaletto,  423;  Padovanino,  413; 
Palma  Vecchio,  306;  Pordenone,  309; 
Sebastiano  del  Piombo,  311;  Tinto- 
retto, 322,  323,  333;  Titian,  270-272, 
280,  291,  292,  301;  Veronese,  347, 
348,  355. 

S.  Alvise.    Tiepolo,  419. 

5.  Calerina.    Veronese,  356. 

Ducal  Palace.  Palma  Giovane,  338; 
Tiepolo,  422;  Tintoretto,  334-336; 
Titian,  284;  Veronese,  357-359. 

Frari.    Canova,  500;  Titian,  281-283. 

Gioi'anelli  Palace.    Giorgione,  243. 

S.  Gim:  Crisoslomo.  Sebastiano  del 
Piombo,  310. 

5.  Gim'.  Elemosinario.     Titian.  287. 

SS.  Gim.  e  Paolo.  Leopardi,  434;  Titian, 
285. 

.9.  Giuseppi  di  Caskllo.    Veronese,  350. 


Madonna  dell'  Orto.    Tintoretto,  332. 

5.  Marco.  Lombardo,  432;  Sansovino, 
J.,  474. 

5.  M.  Formosa.     Palma  Vecchio,   302. 

5.  M.  della  Salute.  Tintoretto,  325; 
Titian,  267. 

Piazza  S.  Marco.  Leopardi,  433;  Sanso- 
vino, J.,  471,  473. 

5.  Rocco.    Tintoretto,  326-331. 

5.  Sebastiano.    Veronese,  345. 

Sentinario.  Fra  Bartolommco,  71; 
Giorgione,  249. 

VlCENZA. 

Monte  Berico.    Veronese,  34!). 
5.  Stefano.    Palma  Vecchio,  303. 
VIENNA. 

Augustinerkirchc.    Canova,  499. 
Imperial  Gallery.    Andrea  del  Sarto,  90; 

Barbari,    241;    Correggio,    237,    23S; 

Giorgione,  255;  Moretto,  372;  Palma 

Vecchio,  307;   Raphael,   158;  Titian, 

259,  260,  290,  297,  299. 


topical  Unfcei. 


ALLEGORICAL  AND  LEGENDARY. 

Attfgory. 

Archers 207 

Artless  and  Sated  Lo\e     .    .    .  264,265 
Dispute  of  the  Sacrament     ....    160 

League  of  Cambrai 338 

Miracle  of  Bolsena 177 

Neptune  and  Venice 422 

Vision  of  a  Knight 144 

Church  Legends. 

St.  Catherine,  Burial,  36;  Marriage, 
229,  288,  335,  356;  Martyrdom,  41; 
Stigmata,  59,  64. 

Christ  in  Limbo 60,  382 

Miracles,  of  St.  Anthony,  474;  of  St. 
Benedict,  53;  of  Bolsena,  177;  of  St. 
Giov.  Gualberto,  466;  of  St.  Mark, 
318,  323,  324. 

Sibyl  and  Augustus 61 

(See  Madonna,  life  of;  Saints.) 
Personifications. 

Charity,  88;  Force,  169;  Industry,  358; 
Justice,  208;  Moderation,  169;  Pru- 
dence, 169,  437;  Theology,  171; 
Victor)',  453. 

ARCHITECTURAL. 

Chimney-piece 467 

Doors. 

Pav  ia,  Certosa 426,  427 

Pisa,  Cathedral 487,  488 

Venice,  San  Marco 474 

Exteriors. 

Pavia,  Certosa 424,  425 

Rome,  St.  Peter's lj 

Venice,  Loggietta 471 

Interiors. 

Florence,  S.  Lorenzo,  Sacristy     .    .   454 

Milan,  S.  Maurizio 40 

Parma,  S.  Paolo 218 

Rome,  Vatican 104,  159,  198 


BIBLICAL. 

Apocrypha. 

Heliodorus,  Expulsion  of 
Judith  and  Holofemes  .    , 
Moses,  Trial  of  .... 
Tobias  and  the  Angel    . 


.    .    176 

116,399 

245 

48,  184 

xxxvii 


Tew  Testament. 
Angels,  1,  24,  38, 51,  78,  89, 98, 162, 178, 

181,  272,  355,  397,  441. 
Apostles,  5-8,  32,  49,  56,  93,  96,  146, 

189,  200,  227,  270,  328,  393,  420,  470. 

(See  Saints.) 
Christ,  figure, 

4,  9,  28,  57,  59,  135,  140,  161,  201,  223 

—  Scenes  from  the  Life  of. 
Adoration  of  the  Magi,  39,  84,  213; 
Adoration  of  the  Shepherds,  233,  350, 
363;  Baptism,  430;  Circumcision,  69; 
Driving  Traders  from  Temple,    139; 
Feast  at  House  of  Leu,  347;  Marriage 
at  Cana,  325,  346,  413;  Nativity,  69, 
369;  Parable  of  Rich  Man,  339,  340; 
Presentation,  488;  Raising  of  Lazarus, 
314;    Transfiguration,    200;    Tribute 
Money,  269. 

—  Scenes  from  the  Passion. 

Bearing  the  Cross,  187,  242,  385,  419; 
Before  Pilate,  297,  331;  Crowned  with 
Thorns,  28,  57,  300;  Crucifixion,  329, 
330;  Deposition,  73,  138,  212,  234, 
301,  333,  464,  468;  Ecce  Homo,  28, 
297;  Entombment,  102,  157,  279,  392; 
Last  Supper,  3-8,  49,  96,  328,  420; 
Pieta,  90,  428,  444,  496. 

—  Scenes  of  the  Resurrection. 
Appearing  to  Man',  385;  Charge  to 
Peter,   189;   Draught  of  Fishes,   190; 
Emmaus,  79,  370,  375;  Resurrection, 
274. 

Last  Judgment 72, 134 

Lazarus,  340;  raising  of,  314. 

Madonna   .    .    20.151,161,271,386,409 

Madonna  and  Child,  2,  29,  33,  44,  52, 
55,  71,  87,   143,   149,  153,   197,  248, 
259,  282,  374,  410.  440,  445,  462. 
with  Angels,  61,  100,  214,  239. 
with  John,  12,  47,  81,  156,  158,  176, 
188,  215,  389,  446.  447. 
with  Joseph,    27,  67,  70,  95,  101,  154, 
216.  232,  260,  321,  327. 
with  Saints,  11,  16,  34,  46,  64,  65,  76, 
77,  82,  86,   155,   174,   184,  193.   190. 
203,  206,  217,  230,  231.  235,  247,  2*7, 
258,  261,  268,  273,  281,  288,  303.  306, 
342,  360,  368,  371,  373,  387.  407,  421 


XXXV111 


LATER  ITALIAN  ART 


—  Scenes  in  the  Life  of. 
Annunciation,  14,  50,  85,  141,  274,  326, 
376,  409;  Assumption,  32,  56,  93,  227, 
270,  470;   Birth,  83;  Coronation,  146, 
226;    Death,  393;  Marriage,  37,  147; 
Presentation,  291,  332;  Visitation,  68, 
311. 
Old  Testament. 

Abraham 163,199,408 

Adam,  108,  110;  and  Eve,  60,  111,  112, 

322,  382. 
Creator,.The 

74*105-109,  111,  160, 161,  173,270 

David       448,449,494 

Eleazer 130 

Esther,  Coronation  of 345 

Hagar 408 

Jacob  and  Rachel 305 

Jesse 129 

Mathan 130 

Moses 63, 163,  352,  451 

Noah 113-115 

Prophets 117-123,173,477 

Solomon,  Judgment  of  .    .    170,244,341 

CLASSICAL  AND  MYTHOLOGICAL. 

Adonis 465 

Alexander 54, 354 

Amphitrite 416 

Apollo,    with    Daphne,    249,    493;    with 

Muses,  164,  165,  202;  with  Hours,  396 

Ariadne 276,334 

Athens,  School  of 167, 168 

Aurora 396 

Bacchante 276,390 

Bacchus 18,442,472,276,334 

Brutus 463 

Centaur 183,  395,  439,  490 

Circe 210 

Cupid,  54,  183,   191,   192,  222,  236,  264, 

357,  396,  398,  405,  416,  443. 

DanaS 299,  482 

Daphne 249,  493 

Dejanira 395 

Diana 219 

Europa,  Rape  of 357 

Faun  Mask 438 

(See  Satyr.) 

Flora 278 

Galatea 183 

Ganymede 237 

Giants,  Fall  of 204 

Golden  Age,  The 417 

Hercules  . 476,490,498 

Jupiter  and  Cupid,  192;  and  lo  .    .    .   238 

Lapiths - 439 

Lichias 498 

Medusa 481 

Mercury 222,  473,  485 

.  Neptune 416-422 

Nymph,  of  Fontainebleau,  480;  with  Satyr, 

211  (see  Daphne,  Galatea). 


Parnassus 164 

Perseus 481,482 

Polyphemus 205 

Psyche \g\ 

Sabines,  Rape  of 486 

Sappho 164,  166 

Satyr 211,276,442,472 

Scipio 431 

Sibyl 61,  62,  124-128,  180-182 

Venus  .    .    222,  251,  252,  334,  398,  404,  497 

Vulcan,  Forge  of 336 

DECORATIVE. 

Figures 131-133 

Medallions 220,221,359 

HISTORICAL. 
Alexander,  with  the  Family  of  Darius 

Marriage  of 

Battle,  of  Anghiari,  21;  of  Pisa    .    . 

Brutus 

Conspiracy  of  Catalinc 

Meeting  of  Otto  III  and  St.  Nilus  .    , 

Sappho     , 

Scipio 


MISCELLANEOUS. 

Bathers 

Card-players 

Flag  Standard 

Silver  Pitcher 


354 

.  .  54 

.  .  103 

.  .  463 

.  .  415 

.  .  403 

.  .  166 

.  .  431 

.  .  489 

.  .  391 

.  .  433 

.  .  484 

PASTORAL  AND  IDYLLIC. 

Artless  and  Sated  Love 264 

Concerts  .  - 209,  253 

Golden  Age 417 

Landscapes 243,  414,  423 

Shepherd  Boy 256 

Shepherds 320 

Three  Philosophers 255 

Men.  PORTRAITS. 

Aretino,  286,  297;  Ariosto,  308;  Brevio, 
Francesco,  25;  Cardinal,  185;  Cesar- 
esco,  Count,  377;  Charles  V,  298; 
Doni,  Angelo,  152;  Este,  Francesco 
I  d',  495;  Grano,  349;  Howard,  Duke 
of  Norfolk,  293;  Julius  II,  172,  176, 
177;  Knight  of  Malta,  250;  Lawyer, 
379;  Leo  X,  179,  195;  Leonardo  da 
Vinci,  13;  Medici,  Cosimo,  99;  Cosimo 
I,  483;  Lorenzo,  384;  Man  with  Glove, 
266;  Man  with  Rose,  317;  Navigero, 
Antonio,  380;  Parma,  Physician,  290; 
Paul  III,  295;  Pesaro,  Benedetto,  283; 
Procurator,  337;  Savonarola,  80;  del 
Sarto,  97;  Sculptor,  91;  Sforza,  Lodo- 
vico,  34,  427,  430;  Children  of,  34; 
Soranzo,  Jacopo,  280;  Tailor,  378; 
Titian,  294;  della  Torre  Brothers,  361; 
Unknown,  254,  262,  263,  316,  364, 
366,  367,  372,  381;  Young  Men.  23, 
241,  246,  362,  418;  Veronese,  Paul, 
348;  Visconti,  427. 


TOPICAL  INDEX 


xxxix 


Women. 

La  Bella,  289;  Dianti,  Laura,  277; 
Donna  Velata,  194;  Este,  Beatrice  d', 
22(?),  34,  430;  Isabella  d'.  19;  Fer- 
roniere,  La  belle,  17;  Fomarina,  La, 
312;  Isabella  of  Aragon,  30;  Lady 
of  the  Brignole  Family,  319;  Lavinia, 
296;  Laura  da  Pola,  365;  Mona  Lisa, 
10;  Panciatichi,  Lucrezia,  383;  Sforza, 
Ippolita,  43;  Three  Sisters,  304; 
Unknown,  31,  240,  307,  315. 
SAINTS. 

Female. 

Agatha,  313;  Agnes,  43,  94,  310,  371; 
Anne,  11,  16,  77,  174;  Apollonia,  42; 
Barbara,  45,  65,  196,  302;  Bridget, 
268;  Catherine  of  Alexandria,  26,  36, 
41,  43,  65,  66,  217,  229,  288,  310, 
335,  356;  of  Siena,  59,  64,  74;  Cecilia, 
186,  404,  411,  491;  Elizabeth,  68,  174, 
193,  203.  311;  Euphemia,  371;  Helena, 
351;  Justina,  368,  372;  Lucia,  303; 
Magdalene,  35,  73,  74,  142,  157,  186, 
231,  258,  261,  306,  310,  330,  387; 
Margaret  of  Cortona,  93;  Monica, 
368,  387;  Scholastica,  43. 

Hale. 

Alexander,  369;  Ambrose,  34,  275; 
Anthony,  Abbot,  45,  46,  273,  353;  of 
Padua,  217,  257,  475;  Augustine,  34, 
186,  310;  Benedict,  53,.  150,  368,  371 ; 
Martyr,  150;  Bernard,  309,  343; 
Bruno,  407;  Casimir,  412;  Christopher, 
284;  Chrysostom,  310;  Cosimo,  267. 
478a;  Cornelius,  353;  Cyprian,  353; 
Damian,  267,  478b;  Dominic,  82,  387 ; 
Filippo  Benizio,  369;  Francis,  86,  217, 
247,  281,  309,  387;  Gaudioso,  369; 
Geminianus,  230;  George,  235,  303; 
Giovanni  Gualberto,  406;  Gregory,  34, 


344;  James,  163,  224,  344;  Jerome, 
34,  82,  184,  231,  235,  261,  369,  388, 
400,  406;  John,  the  Almsgiver,  287; 
the  Baptist  as  Child,  11,  70,  76,  77, 
100,  174,  193,  203,  206,  260,  273,  288, 
342,  371  (see  Madonna  and  Child); 
as  Man,  15,  92,  141,  155,  161,  217, 
235,  261,  306,  309,  310,  360;  the 
Evangelist,  73,  86,  157,  186,  225,  330 
(see  Apostles);  Martyr,  150;  Joseph, 
193,  203,  206,  306  (see  Madonna  and 
Child;  Adoration  of  the  Magi,  and 
Shepherds,  Marriage  of  Virgin);  Law- 
rence, 163;  Liberale,  247,  310;  Longi 
nus,  492;  Lorenzo  Giustiniani,  309; 
Mark,  75,  267,  323,  324;  Maurice, 
275;  Maurus,  150;  Nicholas  of  Ban, 
93,  155,  373;  Nilus,  403;  Paterius, 
371;  Paul,  163,  186,  261,  394,  402; 
Peter,  178,  281,  394  (see  Apostles); 
Peter  Martyr,  80,  235,  285;  Placidus, 
150;  Prosdocino,  368;  Roch,  230,  257, 
267;  Romualdus,  150;  Sebastian,  58, 
136,  141,  145,  229,  230,  258,  267. 
274,  343;  Sixtus,  196;  Stephen,  275; 
Thomas,  224. 

TOMBS. 

Buonafede,  Bishop 479 

Canova 500 

Este,  Beatrice  d' 430 

Foix,  Gaston  de 469 

Tulius  II 450-452 

Maria  Christina,  Archduchess     .    .    .    499 
Medici,  Giuliano  dc' 455-458 

—  Lorenzo  de' 459-461 

Sforzi,  Cardinal  Ascanio 436 

—  Lodovico 430 

Vendramin,  Andrea 434 

Visconti,  Gian  Galeazzo 429 

Zeno,  Cardinal 432 


of  Hrtists. 


PLATE    NO. 

Albano,  Francesco 405 

Albertinelli,  Mariotto 65-68 

Allori,  Cristofano 399 

Bambaja 469 

Bandinelli,  Baccio 476,  477 

Barbari,  Jacopo  de' 241 

Baroccio,  Federigo 385,  386 

Bartolommeo,  Fra 69-80 

Bassano,      320, 321 

Beccafumi,  Domenico fi3,  64 

Begarelli,  Antonio 468 

Beltraffio,  Giov'  Antonio 29-31 

Bernardino  de'  Conti 33,  34 

Bernini,  Lorenzo 492-496 

Bologna,  Giovanni  da 485-490 

Bonifazio  I,  Veronese 339-341 

Bonifazio  II,  Veronese 342 

Bonifazio  III,  V'eneziano 343 

Bordone,  Paris 318,  319 

Bronzino 382,  383 

Canaletto 423 

Canova,  Antonio 497-500 

Carracci,  Agostino 388 

Carracci,  Annibale 389-39J 

Carracci,  Ludovico 38', 

Caravaggio 391-393 

Cariani 367 

Cellini,  Benvenuto 480-484 

Certosa,  Pavia 424-430 

Correggio 213-238 

Dolce,  Carlo 4fi,  412 

Domenichino 400-404 

Dossi,  Dosso       210-211 

Ferrari,  Gaudenzio    .  • 49-51 

Franciabigio 81 

Garofato      212 

Ghirlandajo,  Ridol/o 82 

Ghislandi,  Vittore      418 

Giampietrino      35 

Giordano,  Luca 416,417 

Giorgione 242-258 

Guercino     . 406-409 

Innocenzo  da  Imola '  206 

Leonardo  da  Vinci 1-21,  431 

Leopardi,  Alessandro 433,  434 

Lombard!,  Pietro 432 


PLATE   NO. 

Lotto,  Lorenzo 360-366 

Luini,  Bernardino 36-48 

Maderna,  Stefano      .    .  .491 


'  "^Michelangelo 100-137,438-465 

Montelupo,  Raffaello  da 478b 

Montorsoli,  Giov.  Angelo 478a 

Moretto  da  Brescia 371-377 

Moroni,  Giov.  Battista      ....    378-381 

Oggiono,  Marco  da 32 

Padovanino 413 

Palma,  Giovane 338 

Palma,  Vecchio      302-308 

Parmagianino,  II, 239,  240 

Perino  del  Vaga 207,  208 

Peruzzi,  Baldassare 61 

Pontormo 99 

Pordenone,  Giov.  Antonio  da      ...    309 

Preda,  Ambrogio 22-25 

Primaticcio,  Francesco      209 

"Raphael       143-201 

Reni,  Guido .    .   394-398 

Romanino,  Girolamo 368-370 

Romano,  Giulio 202-205 

Rosa,  Salvator 414,415 

Rosso,  II      98 

Rovezzano,  Benedetto 466,  467 

San  Gallo,  Francesco  di 479 

Sansovino,  Andrea 435-437 

Sansovino,  Jacopo 471-475 

Sarto,  Andrea  del 83-97 

Sassoferrato 410 

Sebastiano  del  Piombo      ....    310-316 

Sesto,  Cesare  da 52 

Sodomarll 53-60 

Solario,  Andrea 26-28 

Tiepolo,  Giov.  Battista     ....   419-422 

Tintoretto 322-337 

Titian 259-301 

Torbido,  Francesco 317 

Tribolo,  II 470 

Urbano  da  Cortona 62 

Vasari,  Giorgio 384 

Venusti,  Marcello 139 

•Veronese,  Paul 344-359 

Viti.  Timoteo      140-142 

Volterra,  Daniele  da 138 


X 


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